Jan Both
Pioneer of Dutch Italianate golden landscapes
Jan Dirksz Both was a Dutch painter, draughtsman, and etcher, who made an important contribution to the development of Dutch Italianate landscape painting. Both was born in Utrecht, and was the brother of Andries Both. According to Houbraken, the brothers first learned to paint from their father, who was a glass-painter or glazier there. Later Jan was a pupil of Abraham Bloemaert and still later the brothers traveled together to Rome via France. Gerrit van Honthorst has also been suggested as a teacher. By 1638 Jan and his brother Andries were in Rome where Andries concentrated on genre works in the manner of Pieter van Laer, while Jan concentrated on landscapes in the manner of Claude Lorrain. In 1639 Jan collaborated with Herman van Swanevelt and Claude Lorrain on a project for the Buen Retiro Palace in Madrid. Certainly by 1646 Jan had returned to Utrecht, where he refined further his expansive, imaginary landscapes drenched with a Mediterranean golden light. In Landscape with Bandits Leading Prisoners (Museum of Fine Arts, Boston) the sandy road makes a sweeping diagonal from the left. Touches of realism in the down-to-earth figures and detailed vegetation of the foreground contrast with the idyllic golden distance. Occasionally Both peoples his landscapes with religious or mythological figures as in Judgement of Paris (London, National Gallery) where the figures were painted by a fellow Utrecht artist, Cornelis van Poelenburch. Jan's brother Andries (c.1612–41), who specialised in peasant scenes, died in Venice as they were returning to Utrecht. Both brothers are registered as Bentvueghels, but their nicknames are not known. Jan's pupils were Barend Bispinck, Willem de Heusch, and Hendrick Verschuring. Jan Both died in his native city of Utrecht.
Relationship Network
Master student
- Abraham Bloemaert Master
- Gerrit van Honthorst Master
- Willem de Heusch Student
Influenced by
- Claude Lorrain Source
Influenced
Artworks by this artist (45 total)
- View of the Ripa Grande in Rome ca. 1640 - 1645
- Italian Landscape with Travelers 1645
- Street Scene Placed among Roman Ruins 1640 - 1652
- Village Street With Drawbridge
- Ponte Lucano With The Tomb Of The Plautii
- The Ford and Halt of the Travelers ca. 1650
- Italian Landscape 2
- A Cavalier Lying on the Ground c. 1640
- A wooded landscape with travellers crossing a ford
- Farmyard c. 1645 - c. 1650
- An Italianate landscape with travellers
- Italian Landscape with the Ponte Lucano over the Aniene River c. 1650 - 1652
- Road by the Edge of a Lake
- Le Pont de bois 1640 - 1650
- An Italianate landscape with bandits leading prisoners
- Italian Landscape probably c.1645 - 1652
- Street Scene with Roman Ruins c. 1642 - c. 1644
- Landscape with travelers 1650
- Italienische Landschaft mit zwei Männern und einem Lasttier
- Scene of the Roman Campagna 1647