Jan Goeree
Vielseitige technische Meisterschaft
Goeree war Maler, Zeichner, Kupferstecher und Radierer. Er war der Sohn von Willem Goeree, einem niederländischen Kunsttheoretiker, der eine umfassende Übersicht über die verschiedenen Techniken erstellte, die notwendig sind, um ein großer Künstler zu werden: Zeichnen, Architekturkenntnisse, Perspektive, Anatomie, Komposition, Vorstellungskraft, Farbe und Schattierung, die sein Sohn offensichtlich alle beherrschte.
Artworks by this artist
- Christ’s Entry Into Jerusalem 1696[-]1704
- Perseus and Minerva before a Temple first third 18th century？
- A Reconstuction of the Pantheon (above) and a View of its Appearance Around 1700 (below) before 1704
- A Reconstruction of the Base of the Column Rostrata. before 1704
- A Reconstruction of the Arch of Septimius Severus before 1704
- Reconstruction of the Thermae of Titus (above) and a View of the Ruins (below) before 1704
- Reconstruction of the Thermae Olympiadis (above) and View of the Ruins (below) before 1704
- A Reconstruction of the Arch of Domitian (above) and View the Ruins (below) before 1704
- A Reconstruction of the Temple of Janus (above) and a View of the Ruins (below) before 1704
- View of the Column of Marcus Aurelius before 1704
- Ichnographia (or groundplan) of the Arch of Septimius Severus (above) and the Curia Hostilia (below) before 1704
- Design for the Title Page of ‘Acta Germanica’ late 17th[-]early 18th century
- Reconstruction of the Monument to Septimius Severus (above), View of the Ruins (below) before 1704
- A View of the Column of Trajan (above) with Details (below) before 1704
- View of the Ruins of the Palatine Hill before 1704_before 1704
- A Reconstruction of the Temple of Antonious and Faustina (above) and a View of the Ruins (below) before 1704
- Female Figure Holding a Coin and Image of a Fountain before 1704
- Two Maps of Ancient Rome with a River God and Romulus and Remus before 1704
- A Reconstruction of the Thermae of Diocletian (above) and a View of the Ruins (below) before 1704
- Reconstruction of the Theatre of Marcellus (above) and a View of the Ruins (below) before 1704