Jan Goeree
Maîtrise technique artistique complète
Goeree était peintre, dessinateur, graveur et aquafortiste. Il était le fils de Willem Goeree, un théoricien de l'art néerlandais qui a réalisé une étude exhaustive des diverses techniques nécessaires pour devenir un grand artiste : le dessin, la connaissance de l'architecture, la perspective, l'anatomie, la composition, l'imagination, la couleur et les ombres, toutes maîtrisées manifestement par son fils.
Artworks by this artist
- Christ’s Entry Into Jerusalem 1696[-]1704
- Perseus and Minerva before a Temple first third 18th century？
- A Reconstuction of the Pantheon (above) and a View of its Appearance Around 1700 (below) before 1704
- A Reconstruction of the Base of the Column Rostrata. before 1704
- A Reconstruction of the Arch of Septimius Severus before 1704
- Reconstruction of the Thermae of Titus (above) and a View of the Ruins (below) before 1704
- Reconstruction of the Thermae Olympiadis (above) and View of the Ruins (below) before 1704
- A Reconstruction of the Arch of Domitian (above) and View the Ruins (below) before 1704
- A Reconstruction of the Temple of Janus (above) and a View of the Ruins (below) before 1704
- View of the Column of Marcus Aurelius before 1704
- Ichnographia (or groundplan) of the Arch of Septimius Severus (above) and the Curia Hostilia (below) before 1704
- Design for the Title Page of ‘Acta Germanica’ late 17th[-]early 18th century
- Reconstruction of the Monument to Septimius Severus (above), View of the Ruins (below) before 1704
- A View of the Column of Trajan (above) with Details (below) before 1704
- View of the Ruins of the Palatine Hill before 1704_before 1704
- A Reconstruction of the Temple of Antonious and Faustina (above) and a View of the Ruins (below) before 1704
- Female Figure Holding a Coin and Image of a Fountain before 1704
- Two Maps of Ancient Rome with a River God and Romulus and Remus before 1704
- A Reconstruction of the Thermae of Diocletian (above) and a View of the Ruins (below) before 1704
- Reconstruction of the Theatre of Marcellus (above) and a View of the Ruins (below) before 1704