Jean-Baptiste Audebert
Pioneered metallic sheen in natural history art
Jean Baptiste Audebert was a French artist and naturalist. Audebert was born at Rochefort. He studied painting and drawing at Paris, and gained reputation as a miniature-painter. Employed in preparing plates for the Histoire des cloportes of Guillaume-Antoine Olivier, he acquired a taste for natural history. His first original work, Histoire naturelle des singes appeared in 1800, illustrated by sixty-two folio plates, drawn and engraved by himself. The coloring in these plates was unusually beautiful, and was applied by a method devised by himself. His work was also included in the bestselling Relation du Voyage à la Recherche de la Pérouse. Audebert died in Paris, leaving complete materials for another work, Histoire des colibris, oiseaux-mouches, jacamars et promerops, which was published in 1802. Two hundred copies were printed in folio, one hundred in large quarto, and fifteen were printed with the whole text in letters of gold. Another work, left unfinished, was also published after the author's death, L'Histoire des grimpereaux et des oiseaux de paradis. The last two works also appeared together in two volumes, Oiseaux dorés, ou à reflets métalliques (1801-1802), written with his friend Louis Jean Pierre Vieillot. In this work he printed lines of gold and silver over the painted colours of the birds to give them a metallic sheen imitating the iridescent colours of nature.
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Artworks by this artist (60 total)
- L’Atys 1797
- Le Mandrill 1797
- L’Entelle 1797
- Le Callitriche 1797
- Le Papion, variété B 1797
- Le Saimiri 1797
- Le Callitriche variété a 1797
- Le Coaita 1797
- Le Tarsier 1797
- L’Aigrette 1797
- Le Rhesus 1797
- L’Ascagne 1797
- L’Ouanderou 1797
- La Mone 1797
- Le Mongous 1797
- Le Sai a gorge blanche variété b 1797
- La Diane 1797
- Le Kahau 1797
- Le Hocheur 1797
- Le Griset 1797