Johannes Lingelbach
Italianate genre scenes with refined chiaroscuro
Johannes (or Johann) Lingelbach was a Dutch Golden Age painter, associated with the second generation of Bambocciate, a group of genre painters working in Rome from 1625–1700. Lingelbach was born in Frankfurt, the son of David Lingelbach, a German technician, who in 1634 settled in Amsterdam with his wife and children. In 1638 the father hired and later established a labyrinth in the Jordaan. He furnished it with machines, that could move or play music and depicting biblical or mythological scenes. In the late 40s Johannes Lingelbach travelled to France (?) and Italy. After returning to Amsterdam, around 1653, Johannes married. Around 1662 Lingelbach lived in Reestraat, a small street near Prinsengracht; he became a close friend of Jurriaen Ovens. His work began to show an influence from Philips Wouwermans' landscapes. His skill in painting genre figures is no less accomplished in his depictions of architectural and natural objects. He was often invited to paint the figures and animals within other artists landscape pieces, such as the Dutch master landscape painter, Meindert Hobbema and Jan van der Heyden. His study of architectural forms came from observing the paintings of another Bamboccianti, Viviano Codazzi, an Architectural Vedutisti, or view painter. Lingelbach followed the style of the original Bamboccianti, Pieter van Laer, called Il Bamboccio, bringing his own Italianate style into influence of Northern European painters. He is one of the few Dutch painters of the Bamboccianti, whose works are documented in depth, making his influence greater in the progression of the style. Some of his works in Rome were once attributed to Pieter van Laer, but are now rightfully claimed to be Lingelbach’s, such as his, Roman Street Scene with Card Players, (National Gallery). These works show the Italian influence of Caravaggio in their realism and refined chiaroscuro effect, also seen in works such as Lingelbach's, Figures before a Locanda, with a View of the Piazza del Popolo, Rome, (Royal Collection). Lingelbach died in Amsterdam. Lingelbach’s forms were accomplished in there effects of light and spatial accuracy, but much freer than that of Codazzi.
Artworks by this artist (29 total)
- Sitzender Bauer, die Hand auf einen Krug gelegt, der vor ihm auf einer Bank steht
- Italian Marketplace with a Quack Dentist 1651
- River with Bathing Gypsies near an Italian Town 1650
- The Magdalen in a Cave c. 1650
- Falconers on a path with harvesters loading hay onto a wagon nearby, a valley beyond, at dusk 1659
- A Hunting Party
- Harbour on the Mediterranean 1670
- The Piazza del Popolo, Rome c. 1660
- Battle Scene 1671
- Italian Landscape with Resting Peasants c. 1655 - 1660
- Harvesting the Hay
- Parish Fair 1622[-]1674
- View on a Sourthern harbor with merchants and prisoners, a ship and the statue of Ferdinand I de’ Medici in Livorno
- An Italian Seaport 1670
- Roman Shepherd Family Resting Beneath a Tree 1650-1651
- Ein Hafen mit einem Leuchtturm
- Roman Market Scene in the Piazza Navona ca. 1657 [-] 1658
- A Capriccio View of Rome with the Castel Sant’Angelo 1655
- Peasants Dancing 1651
- The Departure of Charles II (1630-1685) from Scheveningen,2 June 1660 1660