John Frederick Peto
Master of American trompe l'oeil still life
John Frederick Peto was an American trompe l'oeil ("fool the eye") painter who was long forgotten until his paintings were rediscovered along with those of fellow trompe l'oeil artist William Harnett. Although Peto and the slightly older Harnett knew each other and painted similar subjects, their careers followed different paths. Both artists were masters of trompe l'oeil, a genre of still life that aims to deceive the viewer into mistaking painted objects for reality. Exploiting the fallibility of human perception, the trompe l'oeil painter depicts objects in accordance with a set of rules unique to the genre. For example, Peto and Harnett both represented the objects in their paintings at their actual size, and the objects rarely were cut off by the edge of the painting, as this would allow a visual cue to the viewer that the depiction was not real. But the main technical device was to arrange the subject matter in a shallow space, using the shadow of the objects to suggest depth without the eye seeing actual depth. Thus the term trompe l'oeil—"fool the eye". Both artists enthrall the viewer with a disturbing but pleasant sense of confusion.
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Artworks by this artist
- Nocturne
- The Old Cremona ca. 1887-90
- Peanuts–Fresh Roasted, Well Toasted 1904
- Still Life with Books, Inkpot, and Candlestick
- HSP’s Rack Picture circa 1900
- Cucumber
- Candlestick, Mug, Pipe and Book
- Breakfast c. 1890s
- Still Life–Oranges
- Stein And Biscuits
- Office Board 1885
- Jug, Book, Box And Mug
- Lights of Other Days 1906
- The Old Kettle c. 1890s
- Umbrella, Hat and Carpet Bag circa 1900
- Rack Picture for William Malcolm Bunn 1882
- Nine Books ca. 1890-1900
- Still Life With Books
- Card Rack with a Jack of Hearts c.1895
- An English Breakfast c. 1890s