Joseph Rose Lemercier
Pioneered industrial photolithography printing
Joseph-Rose Lemercier was one of the most important Parisian printer-lithographers of the 19th century. He worked for the greatest publishers and artists of his time. He played an important role in the spread and generalization of the photolithography process, which enabled photographic images to be transferred to a lithographic stone for printing with printing ink. Of modest origins, the son of a Parisian basket-maker, he was born in Paris on July 6, 1803 and died on January 1, 1887. In 1824, he married Marguerite Drancy, from whom he had two children who died in infancy. He apprenticed with Édouard Knecht, nephew and successor of Aloys Senefelder, the inventor of lithography. He set up on his own in 1828; in 1831, he moved to 57, rue de Seine, in a former jeu de paume. By 1852, Lemercier et Cie owned 80 presses and employed 180 workers. Between 1852 and 1855, he joined forces with optician Lerebours, chemist Barreswil and chemist and photographer Alphonse Davanne to develop a new process, but the result - too long and complex to implement - was not industrially viable. In 1855, Alphonse Poitevin invented and patented a process that could be used industrially. Poitevin initially sought to exploit his patent himself, and opened a workshop in Paris. But in October 1857, he sold his patent and workshop to Lemercier. Lemercier worked for all the major French publishers of his time. He was the printer for artists such as Odilon Redon, Édouard Manet and Alphonse Mucha. Joseph-Rose Lemercier was made a chevalier of the Légion d'honneur in 1847, then promoted to officer in 1878. Between 1876 and 1885, he chaired the Chambre des imprimeurs lithographes de Paris. His nephew, Alfred Lemercier, succeeded him at the head of the company, then inherited it on his death.
Artworks by this artist
- The Palace of Neptune (Water Palace) 19th century
- Mezza, Majolica, Fabrique de Pesaro 1859-1864
- Email peint, Grisaille réhaussée d’or à carnations teintées, La Vierge et l’Enfant 1859-1864
- Triptyque religieux 1859-1864
- Couverture de sacramentaire de la cathédrale de Monza 1859-1864
- Buire de Venise en verre blanc, peinture en émaux 1859-1864
- Majolica Italienne, un Aiguière. 1859-1864
- Orfévrerie et sculpture en ivoire 1859-1864
- Reliquarie en cuivre doré enrichi d’émaux 1859-1864
- Vases divers des fabriques Ventiennes 1859-1864
- Hamap de Venise en verre vert, peinture en émaux 1859-1864
- Email peint, Triptique, l’Annonciation 1859-1864
- Classical Ruins; A Public Bath 19th century
- Procédés de fabrication des cannes de verre à dessins filigraniques et millefiori 1859-1864
- Couverture de livre – Travail Byzantin 1859-1864
- St. Quentin, Vitrail du XVme Siècle 1859-1864
- Horlogerie de table du XVIIe Siècle 1859-1864
- Bas-relief de Luca della Robbia 1859-1864
- Bijoux du Moyen âge 1859-1864
- Boite évangeliaire en or enrichie d’emaux Byzantins 1859-1864