Joseph Rose Lemercier
Pioneered industrial photolithography printing
Joseph-Rose Lemercier was one of the most important Parisian printer-lithographers of the 19th century. He worked for the greatest publishers and artists of his time. He played an important role in the spread and generalization of the photolithography process, which enabled photographic images to be transferred to a lithographic stone for printing with printing ink. Of modest origins, the son of a Parisian basket-maker, he was born in Paris on July 6, 1803 and died on January 1, 1887. In 1824, he married Marguerite Drancy, from whom he had two children who died in infancy. He apprenticed with Édouard Knecht, nephew and successor of Aloys Senefelder, the inventor of lithography. He set up on his own in 1828; in 1831, he moved to 57, rue de Seine, in a former jeu de paume. By 1852, Lemercier et Cie owned 80 presses and employed 180 workers. Between 1852 and 1855, he joined forces with optician Lerebours, chemist Barreswil and chemist and photographer Alphonse Davanne to develop a new process, but the result - too long and complex to implement - was not industrially viable. In 1855, Alphonse Poitevin invented and patented a process that could be used industrially. Poitevin initially sought to exploit his patent himself, and opened a workshop in Paris. But in October 1857, he sold his patent and workshop to Lemercier. Lemercier worked for all the major French publishers of his time. He was the printer for artists such as Odilon Redon, Édouard Manet and Alphonse Mucha. Joseph-Rose Lemercier was made a chevalier of the Légion d'honneur in 1847, then promoted to officer in 1878. Between 1876 and 1885, he chaired the Chambre des imprimeurs lithographes de Paris. His nephew, Alfred Lemercier, succeeded him at the head of the company, then inherited it on his death.
Artworks by this artist (155 total)
- Coupe et son plateau en corne de Rhinocéros montés en or emaillé avec pierres fines 1859-1864
- Couronne d’or de Recceswinthe roi des Goths 1859-1864
- Calice en argent doré avec emaux, de Andrea Arditi 1859-1864
- St. Quentin, Vitrail du XVme Siècle 1859-1864
- Emaux Rhémans. Toiture d’un Reliquarie 1859-1864
- Majolica Italienne, un plat 1859-1864
- Triptyque religieux 1859-1864
- Bouteille de fabrication orientale, verre blanc emaillé et doré 1859-1864
- Bas-relief de Luca della Robbia 1859-1864
- Email cloisonné Byzantin. St. Théodore 1859-1864
- Jan van Huysum – École Hollandaise 1850
- Le prince de Bavière et la jolie fille d’Augsbourg bas-relief 1859-1864
- Tableau au dessus de la porte impériale du Narthex de Ste. Sophie de Constantinople 1859-1864
- Vitrail de Suger à l’Eglise de St. Denis XIIe Siècle 1859-1864
- Vitrail du XVIe Siècle 1859-1864
- Simon Vouet – École Française 1850
- Autel d’argent de Saint Jacques à Pistoia 1859-1864
- Pied du vase donné par Suger au trésor de St. Denis 1859-1864
- Design for a Triumphal Bridge 19th century
- L’Ascension du Christ – Bas-relief byzantin 1859-1864