Kubo Shunman
Elegant ukiyo-e prints and poetry
Kubo Shunman was a Japanese artist and writer. He produced ukiyo-e prints and paintings, gesaku novels, and kyōka and haiku poetry. Shunman was born in about 1757 (Hōreki 7 on the Japanese calendar) with the surname of either Kubo (窪) or Kubota (窪田) and the given name Yasubei (易兵衛 or 安兵衛). He was orphaned while young. He studied under Katori Nahiko [ja], a poet, kokugaku scholar, and painter in the style of the Chinese Shen Quan. He later also studied under the ukiyo-e artist Kitao Shigemasa. Upon finishing his apprenticeship took the art name Shunman (first spelt 春満, later 俊満). Other art names he used include Shōsadō (尚左堂) and Sashōdō (左尚堂), both of which use the character 左 sa, meaning "left", as he was left-handed. Early in his career he published as a gesaku novelist under the names Nandaka Shiran (南陀伽 紫蘭) and Kizandō (黄山堂), as a kyōka poet under the name Hitofushi Chitsue (一節 千杖), and as a haiku poet under the name (塩辛房). He had a heightened sense of beauty and devoted himself to the pleasure-seeking world. Shunman's earliest works dates to 1774: a votive plaque copied from Nahiko. His works include some ukiyo-e prints, book illustrations, paintings, illustrated novels, and poetry. He was the most prolific producer of paintings in the Kitao school; more than 70 of his paintings survive. His best known prints come from the Tenmei (1781–1789) through the Kansei (1789–1801) eras, when Shunman tended toward boldly florid colours in his prints, and adhered to the beni-girai [ja] ("red-hating") trend of avoiding reds and other flashy colours. His bijin-ga portraits of beauties were less in the stately style of his master Shigemasa than in that of the long, slender beauties of Torii Kiyonaga. Shunman was a member of the poets' clubs Bakuro-ren and Rokujuen, and became head of Bakuro-ren. He stopped making designing commercial prints in 1790 to focus on deluxe commissioned prints, and provided poetry for the prints of Hokusai, Utamaro, and Eishi.
Relationship Network
Master student
- Kitao Shigemasa Master
Influenced by
- Kitao Shigemasa Source
- Torii Kiyonaga Source
Artworks by this artist (193 total)
- Screen and Utensils for the Incense Ceremony
- Three Antiques, from the series Esteemed Objects; Leather; Inrō; Netsuke (Meibutsu; Kawa; dō inrō; dō netsuke) ca. 1810
- Lobster, Hamayumi (Ceremonial Miniature Bow) with Arrows and Fans
- Court Ladies Dragging a Cabinet along the Floor
- Nanamaro and His Followers Looking at the Moon in China
- New Year Poems; Snail and cherry blossoms (Saitan; Ōka ni Katatsumuri) 1816
- Nobleman Receiving a Kyoka (Humorous Poem) from Shibanoya Sanyo, a Master of Kyoka
- Sea-Side Landscape with Pine Trees and Flying Cranes
- Cherry Blossoms and Seal-box with Ink and Ruler
- The Painting Manual of Flock of Butterflies (Gunchō Gafu) II 1810s
- Beans for Tossing During Setsubun Exorcism Ceremony 1810s
- Corchorus (or Yellow Rose) and Creeping Saxifrage
- Japanese White-eyes with Plum Tree and Willow, from Spring Rain Surimono Album (Harusame surimono-jō, vol. 3) ca. 1810
- Three Cartouches; Footman, Courtesan and Rising Sun
- Shimadai and Sambo
- Girl In the Form of a Divinity Beating a Drum
- Antique Shop, from the series Famous Goods of Edo by Shunman ca. 1808[-]10
- Candy in the shape of bird, eggplant and adonis ca. 1810
- Shrine Under a Big Pine Tree
- Cut Flowers; Clematis, Bush Clover, Iris, Camellia, and Azalea 1815