László Moholy-Nagy
Integrated technology and art via Bauhaus
László Moholy-Nagy was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. The art critic Peter Schjeldahl called him "relentlessly experimental" because of his pioneering work in painting, drawing, photography, collage, sculpture, film, theater, and writing. He also worked collaboratively with other artists, including his first wife Lucia Moholy, Walter Gropius, Marcel Breuer, and Herbert Bayer. His largest accomplishment may be the School of Design in Chicago, which survives today as part of the Illinois Institute of Technology, which art historian Elizabeth Siegel called "his overarching work of art". He also wrote books and articles advocating a utopian type of high modernism.
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Artworks by this artist (61 total)
- Sans titre (Farbenexplosion – Protest der Farbe) 1945
- A IX 1923
- L.AL I 1936
- Grey Overlappings 1930
- Composition 1923
- Composition circa 1923
- Weimar Bauhaus Postkarten Nr 7; Moholy-Nagy 1923
- Untitled 1938
- Gelosia 1927
- Fametszet 1921
- Kestnermappe; Komposition (One Plate) (P. 123) 1922-23
- Composition aux cercles symétriques 1932
- Composition No. 4 1922
- From the Radio Tower, Berlin 1928
- Konstrucktion VI 1922-1923
- Untitled (J Under Fields; For Ernst Kallai)) 1920
- Collage with three elements
- la grande macchina delle emozioni 1920
- Fotogramm 1922
- A 18 1927