Léon Spilliaert
Melancholic symbolist seascapes and self-portraits
Léon Spilliaert was a Belgian symbolist painter and graphic artist. Spilliaert was born in Ostend, the oldest of seven children of Léonard-Hubert Spilliaert, a perfumer, and his wife Léonie (née Jonckheere). From childhood, he displayed an interest in art and drawing. A prolific doodler and autodidact, he was predominantly a self-taught artist. Sickly and reclusive, he spent most of his youth sketching scenes of ordinary life and the Belgian countryside. When he was 21, Spilliaert went to work in Brussels for Edmond Deman, a publisher of the works of symbolist writers, which Spilliaert was to illustrate. He especially admired the work of Edgar Allan Poe. Watercolor, gouache, pastel, and charcoal—often in combination—were the means by which he produced many of his best works, among which are a number of monochrome self-portraits executed in the early years of the twentieth century. Spilliaert's expressive use of black finds parallels in the work of Odilon Redon, who was a significant influence. Frequently depicting a lone figure in a dreamlike space, Spilliaert's paintings convey a sense of melancholy and silence. His later work shows a concentration on seascapes. He died on 23 November 1946 in Brussels.
Relationship Network
Influenced by
- Odilon Redon Source
Artworks by this artist
- Haven te Oostende 1910
- L’eclair Vert Sur La Mer 1921
- Coquillage 1909
- De blauwe teil 1907
- De waterkar 1909
- Jeu de neige devant le moulin 1918
- Marine met kielzog 1902
- Poppen. Drie generaties 1933
- Vissersvrouwen in gesprek 1928
- Brug 1930
- Coquillages 1933
- La Femme au Prisme 1920
- La veille de Saint-Nicolas. Les sabots devant l’âtre 1918
- Portret van mevrouw Storck-Hertoghe 1925
- Au temps que Nanette était perdue 1931
- Les Serres Chaudes 1 1918
- Sites Brabançons 10
- Vertigo 1908
- Les plaisirs de la glissade au traîneau 1918
- Vrouwenprofiel 1917