이영창
신안파 선구자, 원풍의 우아함
Li Yongchang(李永昌), styled Zhousheng(周生) and also known as Huanghai(黄海), was from Xiuning (sometimes recorded as Shexian), Anhui, during the late Ming and early Qing periods. He was skilled in calligraphy and painting, excelled in poetry, and was an expert in art collection. His calligraphy followed Dong Qichang, and in landscape painting, he drew inspiration from Yuan dynasty artists. Along with Cheng Jiasui, he co-founded the Tiandu School, and Gong Xian described him as "full of vigor and strength," with both of them being considered representatives of this school. 그의 그림 '원대 화가 양식의 산수'는 피마준(삼베 섬유 질감)과 우모준(소 털 질감)의 필법을 결합한다. 이영창은 동원, 거연, '원사대가', 그리고 심주를 연구하여 간결하고 우아하며 고상한 필치 스타일을 발전시켰다. 그는 '서법으로 회화에 진입한다'는 예술 사상을 주창했다. 신안화파의 선구자로서, 그의 예술 작품은 안휘 화단에서 원대 양식에 대한 숭배를 촉진했으며, 그의 제자 왕지서는 그의 회화 전통을 계승했다. Surviving works include 'Landscape in the Style of Yuan Artists,' 'Spring Mountain Pavilion,' and 'Pine and Rock' scrolls. 'Spring Mountain Pavilion' is housed in the Anhui Museum, and the 'Pine and Rock' scroll is in the Palace Museum.