Luca Giordano
Fast, versatile late Baroque painter
Luca Giordano was an Italian late Baroque painter and printmaker in etching. Fluent and decorative, he worked successfully in Naples and Rome, Florence and Venice, before spending a decade in Spain. Born in Naples, Giordano was the son of the painter Antonio Giordano. In around 1650 he was apprenticed to Ribera on the recommendation of the viceroy of Naples and his early work was heavily influenced by his teacher. Like Ribera, he painted many half-length figures of philosophers, either imaginary portraits of specific figures, or generic types. He acquired the nickname Luca fa presto, which translates into "Luca paints quickly." His speed, in design as well as handiwork, and his versatility, which enabled him to imitate other painters deceptively, earned for him two other epithets, "The Thunderbolt" (Fulmine) and "The Proteus" of painting. Following a period studying in Rome, Parma and Venice, Giordano developed an elaborate Baroque style fusing Venetian and Roman Influences. His mature work combines the ornamental pomp of Paul Veronese with the lively complex schemes, the "grand manner", of Pietro da Cortona. He is also noted for his lively and showy use of colour. Giordano died in Naples in 1705.
Relationship Network
Master student
- Paolo de Matteis Student
Fellow student
Influenced by
Artworks by this artist
- Ecce Hommo 1650-1659
- The Abduction of the Sabine Women 1675-80
- The Holy Family With Saints Anne And Joachim
- Manner of Murillo’s Mary Magdalene 1696
- Four Women making Music 1658 - 1660
- Jupiter And Antiope
- Picus And Circe
- The Adoration of the Shepherds
- Faunkopf mit Weinlaub bekränzt
- Prophet mit Buch auf Wolken schwebend
- Diana and Endymion C. 1675-1680
- Crucifixion Of St. Peter
- The Triumph of Cybele ca. 1697
- Jacob wrestling the Angel
- Allegory of Magnanimity About 1670
- Moses Striking the Rock 1634-1705
- The Dream of St. Joseph 1700
- The Abduction of Helen 1634–1705
- The Annunciation 1672
- Job and His Comforters