Paul-Jacques-Aimé Baudry
Elegant academic murals and mythological paintings
Paul-Jacques-Aimé Baudry was a French painter. Baudry was born in 1828 in La Roche-sur-Yon in the Vendée. He studied art under Michel Martin Drolling and enrolled in the École des Beaux-Arts in 1845. He won the Prix de Rome in 1850 for his picture of Zenobia found on the banks of the Araxes. His talent from the first revealed itself as strictly academical, full of elegance and grace, but somewhat lacking originality. In the course of his residence in Italy Baudry derived strong inspiration from Italian art with the mannerism of Correggio, as was very evident in the two works he exhibited in the Salon of 1857, which were purchased for the Luxembourg: The Martyrdom of a Vestal Virgin and The Child. His Leda, St John the Baptist, and a Portrait of Beul, exhibited at the same time, took a first prize that year. Throughout this early period Baudry commonly selected mythological or fanciful subjects, one of the most noteworthy being The Pearl and the Wave (1862). Once only did he attempt an historical picture, Charlotte Corday after the assassination of Marat (1861); and returned by preference to the former class of subjects or to painting portraits of illustrious men of his day: Guizot, Charles Garnier, Edmond About. The works that crowned Baudry's reputation were his mural decorations, which show much imagination and a high artistic gift for color, as may be seen in the frescoes in the Paris Court of Cassation, at the château de Chantilly, and some private residences the Hôtel Fould and Hôtel Paivabut, above all, in the decorations of the foyer of the Opera Garnier. These, more than thirty paintings in all, and among them compositions figurative of dancing and music, occupied the painter for ten years. Baudry was a member of the Académie des beaux-arts, succeeding Jean-Victor Schnetz. Baudry died in Paris in 1886.
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Artworks by this artist
- Diana Reposing ca 1859
- Étude de cheval et de cavalier tombé, d’après Le Brun
- Portrait Of Guillemette De Lareinty 1857
- Study Of Strawberries
- Study for an Architectural Decoration 1860s
- Seated Male Nude 1864-74
- Le sacre de la femme 1883
- Portrait of Fortuné De Vergès 1863
- Study of Apollo for Marsyas (recto) late 1860s
- Études de cavaliers antiques, d’après Charles Le Brun
- Étude de cheval pour le portrait équestre du comte de Palikao. 1876
- Homme nu debout
- Study for the Muse Thalia 19th century
- Three Studies of a Nude Holding a Bagpipe 1864-1866
- Portrait du sculpteur Eugène Guillaume
- Madame Louis Singer 1884
- Crouching Nude Male Figure 1864-74
- Venus And Cupid 1849