Pierre-Paul Prud'hon
Romantic chiaroscuro and allegorical mastery
Pierre-Paul Prud'hon was a French Romantic painter and draughtsman best known for his allegorical paintings and portraits such as Madame Georges Anthony and Her Two Sons (1796). Notably, he painted a portrait of each of Napoleon's two wives. He was an early influence on Théodore Géricault. Pierre-Paul Prud'hon was born in Cluny, Saône-et-Loire, France. He received his artistic training in the French provinces and went to Italy when he was twenty-six years old to continue his education. On his return to Paris, he found work decorating some private mansions. His work for wealthy Parisians led him to be held in high esteem at Napoleon's court. His painting of Josephine portrays her not as an Empress, but as a lovely, attractive woman, which led some to think that he might have been in love with her. After the divorce of Napoleon and Josephine, he was also employed by Napoleon' s second wife Marie-Louise. Prud'hon was at times clearly influenced by Neo-classicism, at other times by Romanticism. Appreciated by other artists and writers such as Stendhal, Delacroix, Millet and Baudelaire for his chiaroscuro and convincing realism, he is probably most famous for his Crucifixion (1822), which he painted for St. Etienne's Cathedral in Metz. Crucifixion now hangs in the Louvre. The young Théodore Géricault had painted copies of work by Prud'hon, whose "thunderously tragic pictures" include his masterpiece, Justice and Divine Vengeance Pursuing Crime, where oppressive darkness and the compositional base of a naked, sprawled corpse obviously anticipate Géricault's painting The Raft of the Medusa.
Relationship Network
Master student
- Jean-Baptiste Mallet Student
Influenced
- Théodore Géricault Théodore Géricault
Artworks by this artist (115 total)
- Némésis (Partie de Thémis et Némésis) 1805
- Transparent exécuté pour l’Hôtel de Ville de Paris 1807
- Le Commerce 1810
- Henri-Ernest Grout de Beaufort 1818
- Les dévideurs 1800
- The Empress Joséphine 1805 - 1809
- Andromache and Astyanax ca. 1798
- Portrait of Madame Simon ca 1788
- The Union of Love and Friendship c. 1793
- Le Matin 1800
- Etude pour La Justice et la Vengeance divine poursuivant le crime
- Le Printemps, dit le Triomphe de Vénus 1800
- Danseuse aux cymbales 1800
- Dominique
- Standing Male Nude 1810-20
- Jeune femme nue allongée 1800
- Portrait d’inconnu 1800
- The Zephyr c. 1814
- David Johnston 1808
- Figure centrale du groupe de gauche 1807