Thomas Shotter Boys
Pioneered chromolithography with Paris views
Thomas Shotter Boys was an English watercolour painter and lithographer. Boys was born at Pentonville, London, on 2 January 1803. He was articled to the engraver George Cooke. When his apprenticeship came to an end he went to Paris where he met and came under the influence of Richard Parkes Bonington, who persuaded him to abandon engraving for painting. Some sources describe him as a pupil of Bonington, although William Callow, who later shared a studio with him in Paris, disputed this. He exhibited at the Royal Academy for the first time in 1824, and in Paris in 1827. In 1830 he went to Brussels, but returned to England on the outbreak of the revolution there. Paying another visit to Paris, he remained there until 1837, and then returned to England in order to lithograph the works of David Roberts and Clarkson Stanfield. His most important work, Picturesque Architecture in Paris, Ghent, Antwerp, Rouen, etc., a collection of colour lithographs, appeared in 1839, attracting a great deal of admiration. Drawn on the stone by Boys and printed by Charles Joseph Hullmandel, it was described in a review in the Polytechnic Journal as "the first successful effort in chroma-lithography [sic] hitherto brought to perfection". King Louis-Philippe sent the artist a ring in recognition of its merits. He also published Original Views of London as it is, drawn and lithographed by himself, (London, 1843). He drew the illustrations to Blackie's History of England, and etched some plates for John Ruskin's Stones of Venice. Boys was a member of the Institute of Painters in Water Colours, and of several foreign artistic societies. He died in 1874.
Relationship Network
Master student
- Richard Parkes Bonington Master
Fellow student
Artworks by this artist (89 total)
- View Near Arundel Castle 1823 and 1874
- A Christening
- L’Hôtel de Sens, rue du Figuier 1833
- Le Pavillon de Flore 1830-1840
- Notre Dame, Paris between 1831 and 1845
- Nuremberg
- Rathaus from Old Town Square, Prague 1859
- View of the Pont des Arts and Île de la Cité from the Quai du Louvre, Paris
- Buckingham Palace from St. James’s Park 1842
- St. Séverin, Paris 1839
- The Pont Neuf
- Notre-Dame, Paris from the quai St Bernard
- Prague ca. 1847
- Versailles between 1831 and 1837
- The Tower and the Mill
- Claude
- L’Institut; l’aile gauche avec le portique 1834
- St Etienne du Mont, Paris
- View of Bayeux 1832
- Fish Market, Antwerp 1839