Thomas Willeboirts Bosschaert
Flemish Baroque painter influenced by Van Dyck
Thomas Willeboirts Bosschaert was a Dutch Republic-born Flemish Baroque painter. Willeboirts Bosschaert was born in Bergen op Zoom, where his Catholic family had moved in the late sixteenth century. He moved to Antwerp in 1628, and entered the studio of Gerard Seghers for eight years. In 1636 or 1637 he became an Antwerp citizen and joined the Guild of St. Luke. He died in Antwerp. Willeboirts' style was heavily influenced by Anthony van Dyck, both in history and portrait, leading some scholars to suggest that Willeboirts might have studied in that studio. The artist ran his own studio with at least nine known pupils, and collaborated with other artists of the time such as Daniel Seghers, Paul de Vos, Jan Fyt, Jan van den Hoecke, Frans Snyders ,and Adriaen van Utrecht, as well as with Peter Paul Rubens on the decoration series for Philip IV of Spain's Torre de la Parada (1636–1638). Between 1641 and 1647 he also worked for the Dutch stadtholder Frederik Hendrik of Orange. Hendrik's widow, Amalia von Solms also commissioned a work from Willeboirts for the decorations of the Oranjezaal (Orange Room) in the Huis ten Bosch, a decorative program that included both Dutch and Flemish masters. In 1653, a competition was held in Antwerp between him and Cornelis Schut to create an altarpiece with money that had been allocated for Van Dyck before his death; Willeboirts lost to Schut's painting, The Martyrdom of St. George. Willeboirts made the grisaille centerpieces for two of Daniel Seghers garland paintings. For one of these Seghers was awarded with a solid gold maulstick, and Willeboirts was given a hundred guilders.
Relationship Network
Master student
- Gerard Seghers Master
- Hendrick Berckman Student
Influenced by
- Anthony van Dyck Influenced_by
Artworks by this artist
- Coronation of Mary
- Venus Arming a Warrior, possibly Johan Maurits, Count of Nassau-Siegen, at the Forge of Vulcan c. 1644 - c. 1645
- The Deification of Aeneas
- Portret van Gaspar Gevartius between 1647 and 1654
- Portrait of a Cleric
- Portret van Balthasar Corderius 1613-1647
- Susannah and the Elders
- The Virgin Crowned by the Christ Infant, the Redeemer after c. 1646
- Portret van Balthasar I Moretus 1613-1641
- Portret van Godefridus Wendelinus between 1647 and 1654
- The Holy Family late 1640s
- Study of a Boy’s Head from circa 1644 until 1645
- Saint George killing the Dragon
- Portret van Erycius Puteanus between 1647 and 1654
- Dido and Aeneas in the cave 1646
- Venus Bewailing The Death of Adonis
- Triumphant Cupid among Emblems of Art and War 1645-1650