William Hogarth
Satirical social critic and printmaker
William Hogarth was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects", and he is perhaps best known for his series A Harlot’s Progress, A Rake’s Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as "Hogarthian". Hogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William’s paintings and prints with a hard edge. Influenced by French and Italian painting and engraving, Hogarth’s works are mostly satirical caricatures, sometimes bawdily sexual, mostly of the first rank of realistic portraiture. They became widely popular and mass-produced via prints in his lifetime, and he was by far the most significant English artist of his generation.
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Artworks by this artist
- The Beggar's Opera 1729
- The Pugilist
- Marriage A-La-Mode – 4, The Toilette C.1743
- Miss Wood ca. 1730
- Plate 4, The Industrious ‘Prentice a Favourite, and Entrusted by his Master 1747
- Scholars at a Lecture (A Chorus of Singers) 1736
- Portrait of a Family ca. 1735
- Paul before Felix
- Subscription Ticket for; ‘Four Prints of an Election’ 1754
- Hudibras Sallying Forth no.2
- The Five Orders of Periwigs 1761
- Benjamin Read 1757
- Mary Hogarth ca. 1740
- Plate 2, The Industrious ‘Prentice Performing the Duty of a Christian 1747
- The Innkeeper’s Wife & Daughter taking Care of ye Don after being beaten & bruised 1756
- Gulielmus Hogarth 1749
- David Garrick as Richard III
- Decimation 1725
- Burning ye Rumps at Temple-Barr no.11
- The Invasion, Plate II; England 1756