鳶尾

1895

阿道夫·霍亨施泰因常被稱為「義大利海報之父」，他為彼得羅·馬斯卡尼的歌劇《伊里斯》創作了這幅引人注目的廣告畫。一位身著飄逸紅袍的女子似乎被捲過一片高大的紫色花海，而她上方盤旋的綠色煙霧中浮現出幽靈般的面孔。這種大膽而富有圖形感的風格是新藝術運動——特別是義大利「自由風格」（Liberty）——的完美典範，將戲劇性的敘事與裝飾性的花卉元素融為一體。這部歌劇的背景設定在日本，迎合了19世紀末對日本事物風靡一時的熱潮，即所謂的「日本主義」。

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