透視中的方形設計

Related Artworks

• An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture. Andrea Pozzo 1707
• The Tuscan capital in perspective. Andrea Pozzo 1707
• Plans of squares, with their elevations. Andrea Pozzo 1707
• Rules and examples of perspective, proper for painters and architects, etc - Title Page Andrea Pozzo 1707
• Other preparations to the ninety-eighth and ninety-ninth figures Andrea Pozzo 1707
• The geometrical upright of the foregoing Ionick design. Andrea Pozzo 1707
• The plan of the fortieth figure in perspective. Andrea Pozzo 1707
• The elevation of the forty-first figure in perspective. Andrea Pozzo 1707
• A column in horizontal perspective. Andrea Pozzo 1707
• Corinthian pedestals in an horizontal perspective. Andrea Pozzo 1707
• A projection of the Dorick order in perspective. Andrea Pozzo 1707
• The geometrical plan of a design, of the Dorick order. Andrea Pozzo 1707
• Circles in perspective Andrea Pozzo 1707
• The Ionick capital in perspective. Andrea Pozzo 1707
• The geometrical plan, and first preparation to the seventy-first figure. Andrea Pozzo 1707
• A piece of Dorick architecture in perspective. Andrea Pozzo 1707
• Explication of the lines of the plan and horizon, and of the points of the eye and of the distance. Andrea Pozzo 1707
• Of scenes for the stage. Andrea Pozzo 1707
• Elevation of the Ionick design in perspective. Andrea Pozzo 1707
• The optical delineation of a square. Andrea Pozzo 1707
• A circular design in perspective. Andrea Pozzo 1707
• Preparatory to the thirty-ninth. [Outline and perspective lines.] Andrea Pozzo 1707
• Manner of delineating a square in perspective. Andrea Pozzo 1707
• The Tuscan base in perspective Andrea Pozzo 1707
• In the Corner Carl Larsson
• Antonin Proust Auguste Rodin 189
• Breakfast under the Big Birch Carl Larsson
• A Singer Edgar Degas 1877-78
• America, a prophecy Pl.14 William Blake 1793
• Histoires naturelles Pl 29 Pierre Bonnard 1922
• G. E. Lessing Johann Heinrich Wilhelm Tischbein
• Milton, a poem in 2 books Pl.07 William Blake 19th century
• Spring Alphonse Mucha 1900
• At the Brasserie Hanneton Henri de Toulouse-Lautrec 1898
• Bijutsukai Pl.74 Furuya Kōrin 1901
• He Who Does Not Like Thee Will Defame Thee in Jest [Loyalty] (El Que No Te Ama, Burlando te Difama [La Lealtad]) Francisco de Goya ca. 1813-1820
• Ah mais c’est le cœur qui bat trop vite Maurice Denis 1899
• The works of Geoffrey Chaucer Pl.01 Sir Edward Coley Burne-Jones 1896
• The Power of Verse José Guadalupe Posada
• Mamma’s and the Small Girls’ Room Carl Larsson
• Christ presented to the People (‘Ecce Homo’) Rembrandt van Rijn 1655
• Saint Jerome Writing Caravaggio 1610
• Midas Washing At The Source of The Pactolus Nicolas Poussin Ca. 1627
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• All Saints Peter Paul Rubens circa 1614
• Riksrådet Erik Dahlberg David Klöcker Ehrenstrahl 1635
• Assumption Of The Virgin Charles Le Brun
• The Archangels Gabriel, Michael and Raphael Giuseppe Passeri 1654[-]1714
• Lantern Marie Famularo 1937
• Entrance to Vatican Joseph Pennell 1909
• Design for a Chapel at Enfield; Transverse Sections of the East and West End Lewis Vulliamy
• A Castle (on the Rhine) Jan van Goyen early 17th-mid 17th century
• Porch and Belfry of Thurgarton Church, Norfolk John Sell Cotman ca. 1810
• A Medieval Prison Domenico Ferri
• View of a house surrounded by scaffolding in Kronberg, Hesse Hans Thoma 1899
• Angle‎ ‎d’un‎ ‎portique‎ ‎à‎ ‎deux‎ ‎étages‎ Eugène-Emmanuel Viollet-le-Duc 1877
• Blessing of a Fishing Boat August Hagborg 1881
• The Incredulity of Thomas Peter Paul Rubens 1613-1615
• Joseph Warren Lars Gustaf Sellstedt circa 1870
• Salle d’examen de doctorat (The Doctoral Jury)@Figurative Jean Béraud
• Mars Crowned by Victory and Listening to Moderation Antoine-Jean Gros
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