透視中的托斯卡納柱
Andrea Pozzo
1707
透視中的托斯卡納柱 by 安德烈亞·波佐, 1707, Illustration, baroque
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The manner of making the net-work or squares, and painting the scenes of theaters.
Andrea Pozzo
1707
The elevation of the forty-first figure in perspective.
Andrea Pozzo
1707
The perspective plans and upright of the Corinthian design foregoing.
Andrea Pozzo
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The Corinthian capital in perspective
Andrea Pozzo
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Another plan of a theater, with the method of finding the point of sight therein.
Andrea Pozzo
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A Corinthian column in horizontal perspective.
Andrea Pozzo
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The cupola of the ninetieth figure, with its lights and shades
Andrea Pozzo
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The Dorick base in perspective.
Andrea Pozzo
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The geometrical plan of the church of S. Ignatius at Rome
Andrea Pozzo
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The horizontal projection of a shaded corbel.
Andrea Pozzo
1707
The perspective of the elevation of the sixty-eighth figure, and the fourth preparation to the seventy-first figure.
Andrea Pozzo
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The plan of an Ionick building.
Andrea Pozzo
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A Corinthian cornice.
Andrea Pozzo
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Elevation of the Ionick design in perspective.
Andrea Pozzo
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The Corinthian pedestal, with its pilasters, in perspectives.
Andrea Pozzo
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A circular design in perspective.
Andrea Pozzo
1707
The plan of a design of the Corinthian order.
Andrea Pozzo
1707
A column in horizontal perspective.
Andrea Pozzo
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A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows.
Andrea Pozzo
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An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture.
Andrea Pozzo
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The plans of an octangular tabernacle.
Andrea Pozzo
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St. Augustine and the Child on the Seashore
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Manner of delineating a square in perspective.
Andrea Pozzo
1707
One half of the Dorick design in perspective.
Andrea Pozzo
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