One half of the Dorick design in perspective.

Related Artworks

• A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows. Andrea Pozzo 1707
• Other preparations to the ninety-eighth and ninety-ninth figures Andrea Pozzo 1707
• Elevation of the Ionick design in perspective. Andrea Pozzo 1707
• The Corinthian capital in perspective Andrea Pozzo 1707
• Circles in perspective Andrea Pozzo 1707
• A Dorick pedestal in perspective; with the manner of avoiding confusion, in designing the plans. Andrea Pozzo 1707
• The cupola of the ninetieth figure, with its lights and shades Andrea Pozzo 1707
• The manner of making the net-work or squares, and painting the scenes of theaters. Andrea Pozzo 1707
• The Ionick pedestal in perspective; with the manner of avoiding confusion, in elevations. Andrea Pozzo 1707
• The plans of an octangular tabernacle. Andrea Pozzo 1707
• A cupola in horizontal perspective Andrea Pozzo 1707
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure. Andrea Pozzo 1707
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• The geometrical plan of the church of S. Ignatius at Rome Andrea Pozzo 1707
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• The projection of a pedestal, of the composite order, in perspective. Andrea Pozzo 1707
• The Tuscan base in perspective Andrea Pozzo 1707
• Rules and examples of perspective, proper for painters and architects, etc - Title Page Andrea Pozzo 1707
• The elevation of scenes in front, and how the oblique scenes are made to appear direct. Andrea Pozzo 1707
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