第 98 図と第 99 図の他の準備

Related Artworks

• Pozzo’s architecture in perspective Andrea Pozzo 1707
• An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture. Andrea Pozzo 1707
• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• A projection of the Dorick order in perspective. Andrea Pozzo 1707
• Corinthian pedestals in an horizontal perspective. Andrea Pozzo 1707
• The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order. Andrea Pozzo 1707
• The geometrical plan of a design, of the Dorick order. Andrea Pozzo 1707
• Of scenes for the stage. Andrea Pozzo 1707
• The horizontal projection of a shaded corbel. Andrea Pozzo 1707
• The orders of architecture, taken from Palladio and Scamozzi. Andrea Pozzo 1707
• The Corinthian pedestal, with its pilasters, in perspectives. Andrea Pozzo 1707
• A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows. Andrea Pozzo 1707
• Another example of a geometrical plan and upright, put in perspective. Andrea Pozzo 1707
• Of horizontal perspective Andrea Pozzo 1707
• The delineation of an oblong square in perspective. Andrea Pozzo 1707
• A Tuscan column in perspective. Andrea Pozzo 1707
• Plans of squares, with their elevations. Andrea Pozzo 1707
• Part of an octangular work of the Corinthian order. Andrea Pozzo 1707
• The attick base in perspective. Andrea Pozzo 1707
• The elevation of the forty-first figure in perspective. Andrea Pozzo 1707
• Self-Portrait Andrea Pozzo 1703
• The manner of designing in perspective, without occult lines. Andrea Pozzo 1707
• A Corinthian design in perspective Andrea Pozzo 1707
• The Orrery Joseph Wright of Derby 1768
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• The Rhine-Maidens teasing Alberich Arthur Rackham 1910
• Appearing Again; The Courtesan Naniwaya Okita Kitagawa Utamaro circa 1795-1796
• Milton, a poem in 2 books Pl.29 William Blake 19th century
• At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
• Mlle Bécat at the Café des Ambassadeurs Edgar Degas 1877-78
• Justice!. Thomas Nast 1873
• ‘Snap-the-Whip’ Winslow Homer 1872
• Drummer Winslow Homer 1864
• A man, sitting on the ground Katsushika Hokusai 1830-1850
• Statesman José Guadalupe Posada
• Gogatsu no bu Katsushika Hokusai 1791
• Tournament with the Tapestry of Samson and the Lion Lucas Cranach the Elder 1509
• Notes sur l’amour Pl 07 Pierre Bonnard 1922
• The Invasion, Plate II; England William Hogarth 1756
• Christ Crucified Francisco de Zurbarán circa 1655
• Return of the Prodigal Son Rembrandt van Rijn 1636
• Saint John The Baptist In The Wilderness Caravaggio
• Girl with a Pearl Earring Johannes Vermeer c. 1665
• Ecce homo Peter Paul Rubens 1800 - 1857
• View of Haarlem from the Northwest, with the Bleaching Fields in the Foreground Jacob van Ruisdael c. 1650 - c. 1682
• The Testament Of Eudamidas Nicolas Poussin 1644 - 1648
• The goldsmith Rembrandt van Rijn 1655
• Schetsblad met huis Leo Gestel 1891
• Iron Door Handle Bertha Semple 1935-1942
• Shaker Chest of Drawers Alfred H. Smith c. 1937
• Wrought Iron Latch Lucien Verbeke c. 1938
• Desk Box 2 Leo Drozdoff c. 1940
• Designs for two panels painted in rinceaux Jules-Edmond-Charles Lachaise 1830[-]97
• Sofa John Dieterich 1935-1942
• The principles of perspective as applied to model drawing & sketching from nature Pl.05 George Trobridge 1890
• Four Studies of Horses Eugène Delacroix 1829-31
• Standing and Seated Figures Francesco Curia 1565[-]1608
• Head of a Racoon James Sowerby
• Study of Lower Leg and Right Foot Giovanni Battista Piazzetta 1682-1754
• Tavola 22 Francesco Cardinali 1828
• What to draw and how to draw it Pl.23 Edwin George Lutz 1913