Self-Portrait
Andrea Pozzo
1703
Self-Portrait by Andrea Pozzo, 1703, Drawings, baroque
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Pozzo’s architecture in perspective
Andrea Pozzo
1707
The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure.
Andrea Pozzo
1707
The orthography, or geometrical elevation of the inside of S. Ignatius’s church.
Andrea Pozzo
1707
The geometrical plan of the church of S. Ignatius at Rome
Andrea Pozzo
1707
Preparatory to the thirty-seventh. [Outline and perspective lines.]
Andrea Pozzo
1707
St. Augustine and the Child on the Seashore
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1642-1709
The manner of erecting machines, that consist of several ranges of frames.
Andrea Pozzo
1707
Manner of delineating a square in perspective.
Andrea Pozzo
1707
The projection of a pedestal, of the composite order, in perspective.
Andrea Pozzo
1707
The Tuscan base in perspective
Andrea Pozzo
1707
Rules and examples of perspective, proper for painters and architects, etc - Title Page
Andrea Pozzo
1707
The elevation of scenes in front, and how the oblique scenes are made to appear direct.
Andrea Pozzo
1707
A Corinthian column in horizontal perspective.
Andrea Pozzo
1707
The plan of a circular work in perspective.
Andrea Pozzo
1707
A circular design in perspective.
Andrea Pozzo
1707
An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture.
Andrea Pozzo
1707
The method of drawing the net of lattice-work on vaults.
Andrea Pozzo
1707
The geometrical design of a cornice, of the composite order.
Andrea Pozzo
1707
A side-view of the composite cornice, in perspective.
Andrea Pozzo
1707
The geometrical plan of a design, of the Dorick order.
Andrea Pozzo
1707
The Ionick capital in perspective.
Andrea Pozzo
1707
Other preparations to the ninety-eighth and ninety-ninth figures.
Andrea Pozzo
1707
The optical delineation of a square.
Andrea Pozzo
1707
An horizontal projection of architecture in a square ceiling
Andrea Pozzo
1707
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