El plano geométrico de un diseño, del orden dórico

Related Artworks

• An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture. Andrea Pozzo 1707
• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• A projection of the Dorick order in perspective. Andrea Pozzo 1707
• Corinthian pedestals in an horizontal perspective. Andrea Pozzo 1707
• The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order. Andrea Pozzo 1707
• Of scenes for the stage. Andrea Pozzo 1707
• The horizontal projection of a shaded corbel. Andrea Pozzo 1707
• The plan of an Ionick building. Andrea Pozzo 1707
• The orders of architecture, taken from Palladio and Scamozzi. Andrea Pozzo 1707
• The elevation of scenes in front, and how the oblique scenes are made to appear direct. Andrea Pozzo 1707
• The Corinthian pedestal, with its pilasters, in perspectives. Andrea Pozzo 1707
• A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows. Andrea Pozzo 1707
• Another example of a geometrical plan and upright, put in perspective. Andrea Pozzo 1707
• Of horizontal perspective Andrea Pozzo 1707
• The delineation of an oblong square in perspective. Andrea Pozzo 1707
• A Tuscan column in perspective. Andrea Pozzo 1707
• Plans of squares, with their elevations. Andrea Pozzo 1707
• The section of profile of scenes for theaters. Andrea Pozzo 1707
• Part of an octangular work of the Corinthian order. Andrea Pozzo 1707
• The attick base in perspective. Andrea Pozzo 1707
• The elevation of the forty-first figure in perspective. Andrea Pozzo 1707
• Self-Portrait Andrea Pozzo 1703
• The manner of designing in perspective, without occult lines. Andrea Pozzo 1707
• The Orrery Joseph Wright of Derby 1768
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• I stood like one thunderstruck, or as if I had seen an apparition N. C. Wyeth 1920
• Hamlet and Laertes fight in the grave (Act V, scene I Eugène Delacroix 1864
• At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
• Shinagawa Katsushika Hokusai 1810
• Worse than slavery Thomas Nast 1874
• The Dead Man (Der tote Mann) Wilhelm Lehmbruck 1915
• Notes sur l’amour Pl 07 Pierre Bonnard 1922
• Shinshi-bari – Cloth-stretcher Kitagawa Utamaro 1793-1804
• The Girl He Left Behind Him Winslow Homer 1864
• Drohung Ferdinand Freiherr von Reznicek 1908
• Combing Their Hair Henri de Toulouse-Lautrec 1896
• Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 5b Katsushika Hokusai 1816
• Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec 1895
• The Girl at the Window Edvard Munch 1894
• Nachtwacht Rembrandt van Rijn 1 January 1642
• Pietà Annibale Carracci
• Belshazzar’s feast Rembrandt van Rijn from 1634 until 1639
• The Lute Player Caravaggio circa 1595
• Martyrdom Of Saint Andrew Jusepe de Ribera
• Return of the Prodigal Son Rembrandt van Rijn 1636
• Self-Portrait Peter Paul Rubens 1628-30
• Achilles Discovered By Ulysses Among The Daughters Of Lycomedes Peter Paul Rubens 1630-1635
• Gefantaseerde binnenplaats met dorische zuilenrij David Humbert de Superville
• White doors, strandgade 30 Vilhelm Hammershøi
• House wall (window) Egon Schiele 1914
• Design for a decorated ceiling Jules-Edmond-Charles Lachaise 1840[-]97
• South Works Steel Mill in Chicago, Illinois Bernard Boutet de Monvel 1928
• The Rooftops Paul Cézanne circa 1898
• Design for the Decoration of the Ceiling in the Vestibule (Ier étage), Hôtel de S. A. le Prince de P Jules-Edmond-Charles Lachaise 19th Century
• Sunshine in the Drawingroom III Vilhelm Hammershøi
• Rawhide and Stone Club Frederic Remington 1891
• Kop van Silenus, driekwart naar rechts gewend David Humbert de Superville
• Portrait of a Clergyman Johann Dorsch Albrecht Dürer 1516
• Louis Guillaume Paul Cézanne 1879-1890
• Tête d’homme Pierre Puvis de Chavannes 1886-1869
• Max Slevogt Emil Orlik 1917