罗马圣依纳爵教堂的几何平面图
Andrea Pozzo
1707
罗马圣依纳爵教堂的几何平面图 by 安德烈亚·波佐, 1707, Illustration, baroque
Related Artworks
Elevation of the Ionick design in perspective.
Andrea Pozzo
1707
The composite capital in perspective
Andrea Pozzo
1707
Self-Portrait
Andrea Pozzo
1703
A side-view of the composite cornice, in perspective.
Andrea Pozzo
1707
Preparatory to the thirty-seventh. [Outline and perspective lines.]
Andrea Pozzo
1707
An octangular tabernacle in perspective.
Andrea Pozzo
1707
The Dorick base in perspective.
Andrea Pozzo
1707
The horizontal projection of the ballustrade of the eighty-seventh figure, view’d at a small distance.
Andrea Pozzo
1707
A piece of Dorick architecture in perspective.
Andrea Pozzo
1707
The preparation necessary to the following figure, and to all other horizontal perspectives, whether on flat or vaulted ceilings.
Andrea Pozzo
1707
The geometrical upright of the foregoing Ionick design.
Andrea Pozzo
1707
The plan of the fortieth figure in perspective.
Andrea Pozzo
1707
Preparatory to the thirty-ninth. [Outline and perspective lines.]
Andrea Pozzo
1707
The Corinthian capital in perspective
Andrea Pozzo
1707
The manner of avoiding confusion, in reducing plans and elevations into perspective.
Andrea Pozzo
1707
The delineation of an oblong square in perspective.
Andrea Pozzo
1707
The geometrical elevation of the foregoing plan, and second preparation to the seventy-first figure.
Andrea Pozzo
1707
Rules and examples of perspective, proper for painters and architects, etc - Frontispiece
Andrea Pozzo
1707
A Corinthian cornice in horizontal perspective.
Andrea Pozzo
1707
The Corinthian pedestal, with its pilasters, in perspectives.
Andrea Pozzo
1707
The plan of a circular work in perspective.
Andrea Pozzo
1707
The attick base in perspective.
Andrea Pozzo
1707
The architecture of Vignola in perspective; and first, of the pedestal of the Tuscan order.
Andrea Pozzo
1707
The geometrical elevation of a Corinthian work.
Andrea Pozzo
1707
The Four Stages of Cruelty; The Reward of Cruelty (Anatomy Theatre)
William Hogarth
1751
Sankatsu Hanshichi no bosetsu – The maternal love of Sankatsu and Hanshichi
Kitagawa Utamaro
1793-1804
Venus and Cupid
Lucas Cranach the Elder
ca. 1525-27
The Kitchen
Carl Larsson
Jeanne; Spring
Édouard Manet
1882
Saint Jerome in Penitence
Lucas Cranach the Elder
1509
An Iron Forge
Joseph Wright of Derby
1773
Milton, a poem in 2 books Pl.38
William Blake
19th century
Enoshima Island (Figure on an ox, waves)
Utagawa Hiroshige
19th century
The Alchemist
Joseph Wright of Derby
1775
Milton, a poem in 2 books Pl.07
William Blake
19th century
Tôji san bijin – Three beauties of the present day
Kitagawa Utamaro
1793-1804
Hamlet and Polonius (Act II, scene ii)
Eugène Delacroix
1864
After the Bath
Edgar Degas
1891-92
Pl. 25 – The Little Black Boy
William Blake
1789
Various Types of Torii Arch
Katsushika Hokusai
1816
Bacco adolescente
Caravaggio
from 1595 until 1597
The Windmill at Wijk bij Duurstede
Jacob van Ruisdael
c. 1668 - c. 1670
Landscape with a Windmill
Jacob van Ruisdael
1646
The Crucifixion
Annibale Carracci
The Coronation of Marie de Médicis, May 13, 1610
Peter Paul Rubens
Saint Sebastian
Guido Reni
1615
Interior with Women beside a Linen Cupboard
Pieter De Hooch
1663
Self-portrait
Rembrandt van Rijn
1633
Interior
Joaquín Torres-García
1924
Kestnermappe Proun, Rob. Levnis and Chapman GmbH Hannover -6
El Lissitzky
1923
Hoffmanneske Szene
Paul Klee
1921
Phantom Perspective
Paul Klee
1920
Träumender Mann – Botho Graef auf seinem Balkon sitzend, Jena
Ernst Ludwig Kirchner
1916
Klänge Pl.22
Wassily Kandinsky
1913
Old Gable
Egon Schiele
1913
House wall (window)
Egon Schiele
1914
Bildnis des Reformators Georg Spalatin
Lucas Cranach the Elder
1537
Madonna of the Harpies
Andrea del Sarto
1517
Portrait of the Right Honorable William Brownlow
Gilbert Stuart
circa 1790
Dorothea Berck (1593-1684), wife of Joseph Coymans (1591-after 1660)
Frans Hals
1644
Káh-Kée-Tsee, Thighs, a Wichita Woman
George Catlin
1834
Kah-Béck-A, The Twin, Wife of Bloody Hand
George Catlin
1832
More by this artist
Browse all artists