원근법의 토스카나식 받침대
Andrea Pozzo
1707
원근법의 토스카나식 받침대 by 안드레아 포초, 1707, Illustration, baroque
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The elevation of the forty-first figure in perspective.
Andrea Pozzo
1707
The manner of making the net-work or squares, and painting the scenes of theaters.
Andrea Pozzo
1707
The perspective plans and upright of the Corinthian design foregoing.
Andrea Pozzo
1707
The Corinthian capital in perspective
Andrea Pozzo
1707
Another plan of a theater, with the method of finding the point of sight therein.
Andrea Pozzo
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A Corinthian column in horizontal perspective.
Andrea Pozzo
1707
The cupola of the ninetieth figure, with its lights and shades
Andrea Pozzo
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The Dorick base in perspective.
Andrea Pozzo
1707
A Tuscan column in perspective.
Andrea Pozzo
1707
The geometrical plan of the church of S. Ignatius at Rome
Andrea Pozzo
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The horizontal projection of a shaded corbel.
Andrea Pozzo
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The perspective of the elevation of the sixty-eighth figure, and the fourth preparation to the seventy-first figure.
Andrea Pozzo
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The plan of an Ionick building.
Andrea Pozzo
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A Corinthian cornice.
Andrea Pozzo
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Elevation of the Ionick design in perspective.
Andrea Pozzo
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The Corinthian pedestal, with its pilasters, in perspectives.
Andrea Pozzo
1707
A circular design in perspective.
Andrea Pozzo
1707
The plan of a design of the Corinthian order.
Andrea Pozzo
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A column in horizontal perspective.
Andrea Pozzo
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A fourth part of the architectonical design, painted on the vault of S. Ignatius’s church; with its lights and shadows.
Andrea Pozzo
1707
An Ionick work in perspective; with the manner of reconciling the fictitious to the solid architecture.
Andrea Pozzo
1707
The plans of an octangular tabernacle.
Andrea Pozzo
1707
St. Augustine and the Child on the Seashore
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Manner of delineating a square in perspective.
Andrea Pozzo
1707
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