Karge Herrin (ungewohnte Freuden riechend) ; Sara, was rieche ich

Related Artworks

• Summer sports Charles Dana Gibson 1900-1905
• The real exhibit at the horse show Charles Dana Gibson 1896
• Previous tenants Charles Dana Gibson 1893-1900
• A Barrier Charles Dana Gibson 1897
• He; ‘Shall we talk or dance’ Charles Dana Gibson 1900-1905
• Seaside expressions Charles Dana Gibson 1900-1905
• She; ‘i know that you must have made love before to some other girl.’ Charles Dana Gibson 1900-1905
• A box party Charles Dana Gibson 1900-1905
• Americans Charles Dana Gibson 1893-1900
• In Paris – A Cafe Artist Charles Dana Gibson 1896
• In the Rue de la Paris Charles Dana Gibson 1893-1900
• Two’s company, three’s a crowd Charles Dana Gibson 1900-1905
• Fellow passengers Charles Dana Gibson 1900-1905
• When a man’s in love Charles Dana Gibson 1900-1905
• A Drawing Room Charles Dana Gibson 1897
• A Park Orator Charles Dana Gibson 1897
• America’s tribute Charles Dana Gibson 1896
• Is Your Wife Losing Charles Dana Gibson 1919
• One of the disadvantages of being in love with an athletic girl Charles Dana Gibson 1900-1905
• Reading the will Charles Dana Gibson 1893-1900
• Soldiers of Fortune written by Richard Harding Davis. Charles Scribner’s Son’s Charles Dana Gibson 1897
• The fortune teller Charles Dana Gibson 1896
• She decides to die in spite of Dr. Bottles Charles Dana Gibson 1900-1905
• Yes or no Charles Dana Gibson 1900-1905
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• What to draw and how to draw it Pl.63 Edwin George Lutz 1913
• Blatt aus ‘Aus meinen Schlössern’ 5 Franz von Bayros ca 1923
• The Fight for the Water Hole Frederic Remington 1903
• The country of the quadlings William Wallace Denslow 1900
• The call for help Frederic Remington between 1906 and 1910
• City Square Francisco Fierro ca. 1850
• Corner Winter, Washington and Summer Streets, Boston Winslow Homer 1857
• Si amanece; nos Vamos. (When day breaks we will be off.) Francisco de Goya 1796-1797
• The Maternal Precaution Jean-François Millet 1860
• Miss dada menken André Gill 1867
• Portrait of Paris von Gütersloh (Bildnis Paris von Gütersloh) Egon Schiele 1918
• Unconditional surrender Grant Thomas Nast 1868
• Embarking from Brighthelmstone to Diepp Thomas Rowlandson 1787
• Bijutsukai Pl.27 Furuya Kōrin 1901
• Purple sandpiper John James Audubon 1827-1838
• Highland Cattle Rosa Bonheur 1876
• Les Bêcheurs Jean-François Millet circa 1855-1856
• The reveille on the line of battle Edwin Forbes 1861-1876
• Der Liebesbrief Franz von Defregger 1884
• Shop Lady (Woman in a Feathered Hat) William James Glackens 1910
• The Bow Tie Eugenio Zampighi
• The Knitting Lesson Jean-François Millet 1869
• Thadée Natanson dans son bureau à La Revue Blanche Édouard Vuillard circa 1898
• The man drawing Albert Sterner 1933
• Interieur met schrijvende man op sofa achter tafel Martinus van Andringa 1874 - 1918
• Trompe L’oeil With Riding Whip And Letter Bag Cornelius Norbertus Gijsbrechts 1672
• Charles Bradlaugh’s Study Walter Richard Sickert
• Interieures de la fin du siècle Edmond Tapissier 1886
• Gustave Geffroy Paul Cézanne 1895 - 1896
• The Scholar’s Table John Frederick Peto 1905
• Marthe Brandès, actrice Georges Goursat (Sem) 1901
• The Peasants at Market Albrecht Dürer 1519
• Robert de Montesquiou et Gabriel Yturri Georges Goursat (Sem) 1905
• Secours aux marins Georges Goursat (Sem) 1919
• The doctor called up or the false alarm Thomas Rowlandson 1786
• The drill. ‘Dismiss’ – ‘as you were’ (steady there in the rear rank.) John Doyle 1846-1847