Twelve Landscape Leaves on Silk P10
Dong Qichang, a Ming dynasty powerhouse of art theory, created this tranquil scene to show off his mastery of 'literati' painting. Instead of realistic details, he used dry, scratchy brushstrokes to build up the tall pine trees and rolling hills, aiming to capture the spirit of the landscape rather than a photograph of it. He was basically the ultimate art critic of his time, dividing painters into 'Northern' and 'Southern' schools, and this piece reflects his preference for the scholarly, expressive Southern style. It’s like a visual poem inviting you to take a mental stroll through the quiet woods.
- Technique
- Ink wash
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