亨利克·易卜生《幽靈》的布景設計

1906

愛德華·蒙克不僅是創作《吶喊》的畫家，他還是一位狂熱的戲劇迷，尤其鍾愛他的挪威同胞亨里克·易卜生。這幅情緒濃郁、筆觸旋動的素描是為易卜生的劇作《群鬼》設計的舞台布景，用於1906年在柏林上演的製作。蒙克沒有呈現寫實的客廳，而是為我們展現了一幅由深沉的棕色和黑色構成的黑暗心理景觀，其中一抹孤立的紅色宛如在窒息空間中跳動的心臟。它完美地捕捉了劇中關於隱藏秘密與家庭糾葛的主題，證明蒙克的焦慮遠不止於那些尖叫的面孔！

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