Regarder en arrière : Scène non identifiée avec High Line et quartier

Related Artworks

• Horse Play： Sketch no. 1 Act 5 (Zoo) Edward Gilbert 1934-1943
• Looking Backward： Trench Set Piece Edward Gilbert 1934-1943
• Horse Play： Sketch no. 2 Act III (City Bank Interior) Edward Gilbert 1934-1943
• Looking Backward： Times Square Edward Gilbert 1934-1943
• Love in Humble Life： Soldiers Edward Gilbert 1934-1943
• Love in Humble Life： Sketch no. 1 (Pastoral with Tavern) Edward Gilbert 1934-1943
• Horse Play： Sketch no. 4, Act 6, Beanum and Barley：Riley’s Circus Edward Gilbert 1934-1943
• Love in Humble Life： Waiter Edward Gilbert 1934-1943
• Love in Humble Life： Hero Edward Gilbert 1934-1943
• Horse Play： Sketch no. 3 Act 2 (Street Exterior) Edward Gilbert 1934-1943
• In the Corner Carl Larsson
• One Hundred Views of Mount Fuji, vol. 1(1834 Katsushika Hokusai printed 1875)
• Portrait of Martin Luther as an Augustinian Monk Lucas Cranach the Elder 1520
• Milton, a poem in 2 books Pl.42 William Blake 19th century
• The streetcar on Tremont Street Maurice Prendergast 1895-1897
• Olympia (1867) 2 Édouard Manet
• Tôji san bijin – Three beauties of the present day Kitagawa Utamaro 1793-1804
• Various Types of Torii Arch Katsushika Hokusai 1816
• The Kiss (‘Kyss’) Edvard Munch 1895
• Weib mit rotem Haar und grünen Augen. Die Sünde Edvard Munch 1902
• Cover of ‘The Yellow Book - an Illustrated Quarterly’, Volume I, April 1894 Aubrey Vincent Beardsley 1894
• Tamaya uchi Hanamurasaki, Sekiya, Teriha – Hanamurasaki of the Tamaya, Sekiya, Teriha Kitagawa Utamaro 1793-1804
• The Little Standard Bearer Albrecht Altdorfer c. 1506-38
• Snow at the top of the Tsukuba Mountain in Hitachi Province Katsushika Hokusai 1817
• Hamlet wants to follow his father’s ghost (Act I, scene iv) Eugène Delacroix 1864
• Pozzo’s architecture in perspective Andrea Pozzo 1707
• The Sower Sir John Everett Millais 1864
• Hari-shigoto – Needlework Kitagawa Utamaro 1793-1804
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Mr. Garrick in the Character of Richard III William Hogarth 1746
• ‘Snap-the-Whip’ Winslow Homer 1872
• The man with the (carpet) bags@Illustration Thomas Nast
• —and no sooner had he the arms in his hands but, as if they had put new vigor into him, he flew upon his murderers like a fury N. C. Wyeth 1920
• The orthography, or geometrical elevation of the inside of S. Ignatius’s church. Andrea Pozzo 1707
• Plate 7, The Idle ‘Prentice Returned from Sea and in a Garret with a Common Prostitute William Hogarth 1747
• The Second Stage of Cruelty; Second, Coachman Beating a Fallen Horse William Hogarth 1751
• America, a Prophecy William Blake 1887
• ‘I am Sir Launcelot du Lake, King Ban’s son of Benwick, and knight of the Round Table’ N. C. Wyeth 1917
• Act XI Katsushika Hokusai 1806
• Hasta la muerte. (Until death.) Francisco de Goya 1796-1797
• Madame X (Madame Pierre Gautreau) John Singer Sargent 1883-84
• Ellen Terry as Lady Macbeth John Singer Sargent 1889
• Madame X (Madame Pierre Gautreau) John Singer Sargent between 1883 and 1884
• The Birth of Venus Alexandre Cabanel 1875
• Lady With The Rose (Charlotte Louise Burckhardt) John Singer Sargent 1882
• Tarragona Terrace and Garden John Singer Sargent c. 1908
• Street in Venice John Singer Sargent 1882
• The Daughters of Edward Darley Boit John Singer Sargent 1882