構図習作、おそらく『舞曲』のため

Related Artworks

• Hamlet; ‘Why look you there! look how it steals away – out at the portal!’ Act III, Scene iv, Hamlet Edwin Austin Abbey 1902
• Fat man in landscape Edwin Austin Abbey
• Title page design, Scribner’s Magazine Edwin Austin Abbey 1894
• Architectural Study II Edwin Austin Abbey
• Titania, illustration for Act II, Scene ii, A Edwin Austin Abbey
• Rough sketch for the Dance Edwin Austin Abbey 1898
• The King to the Prince of Wales - ‘Thou shalt have charge and sovereign trust herein,” King Henry IV, Part I, Act III, Scene II Edwin Austin Abbey 190
• Portrait of an older woman Edwin Austin Abbey
• Early study for figure of Genius of State, in ‘Apotheosis of Pennsylvania,’ mural at the state capitol building in Harrisburg, Pennsylvania Edwin Austin Abbey 1882
• Early study for ‘The Infancy of Galahad’ Edwin Austin Abbey
• Itinerant Fools, costume sketch for Henry Irving’s 1898 Planned Production of Richard II Edwin Austin Abbey
• Study of a soldier Edwin Austin Abbey
• Autolycus, Act IV, Scene ii, The Winter’s Tale Edwin Austin Abbey 1882
• ‘Beside the bed where parting life was laid…,’ illustration for Oliver Goldsmith’s The Deserted Village Edwin Austin Abbey
• Figure study for ‘The Hours’- (5 am); sketch for mural for the state capitol building in Harrisburg, Pennsylvania, 1902-1911 Edwin Austin Abbey 1885
• Man in tophat and shirtsleeves sweeping a walkway Edwin Austin Abbey 1890
• The Jewels Edwin Austin Abbey
• Shacks and Shrubs Edwin Austin Abbey
• Orchard with Farm Cart Edwin Austin Abbey
• The Guild Chapel and Grammar School, Stratford Edwin Austin Abbey 1878
• Two sketches of a woman (dressed in red, in green) – costume studies for a play Edwin Austin Abbey
• Study for figure of 1 pm in ‘The Hours’ ceiling at the state capitol building in Harrisburg, Pennsylvania Edwin Austin Abbey 1894
• Study for The Spirit of Light Edwin Austin Abbey
• The comedies of William Shakespeare 2 Edwin Austin Abbey 1899
• Bedouin Tent John Singer Sargent 1905-6
• Die Pause Carl Wilhelm Anton Seiler 1916
• Happy families Pl.02 Sir John Tenniel 1860s
• Trompe l’oeil design for a ceiling Jules-Edmond-Charles Lachaise 19th Century
• Ganz bei der Sache Hermann Kern
• Pigs. Study for During Fasting Time Carl Gustaf Hellqvist 1884
• Botanisches Handbuch Pl.45 Christian Schkuhr 1808
• The Death of Orpheus Émile Bin 1874
• Portait des deux soeurs Alexandre Cabanel 1871
• In His Cups Alexandre-Louis Leloir 1872
• Hold Up;Here He Comes Arthur John Elsley 1901
• Fruit still life Blaise-Alexandre Desgoffe 1866
• The Wedding Party Carl Herpfer
• On white sands Charles Atamian
• Vieille ferme du moulin de la Galette Charles-Lucien Léandre
• The Nusretiye Mosque, Istanbul Charles Théodore Frère
• L’harmonie des couleurs Pl.127 Édouard Guichard 1880
• Figure Praying before Shrine of Christ Esther Blaikie MacKinnon 1925
• Portrait of a Girl with Wreath of Roses in her Hair and Leopard Skin Eugen Felix
• Girl holding Violets Eugène Siberdt
• Studie eines Tierschädels Ferdinand Keller 1860
• Ajuscha, an Oriental Woman with a Scarab Necklace Franz Xaver Kosler
• Nepal Kaleege George Edward Lodge 1918-1922
• Portrait Of Countess Gabrielle Louise Marie Duchâtel Hans Makart 1854-1889
• Sketch for The Funeral Procession Frank Earle Schoonover 1905
• Eine Schlafstube mit einfallendem Licht Georg Friedrich Kersting
• Le monument ! Georges Hugo 1902
• Baum bei einem Haus in Peschiera del Garda Fritz Bamberger 1851
• Studie der Maria Joanna de Cocaies, sitzend in Halbfigur nach links gewendet Ferdinand Keller 1860
• The Plaster Cast Collection in the Royal Academy of Fine Arts Julius Exner 1843
• Windmolen Carel Adolph Lion Cachet 1874
• Design for a Crest with Drapery (the Upper Part of a Canopy or Window Treatment) Giovanni Battista Natali III 1698[-]1765
• Shade of A.T.S.– ‘Oh, if I could only find my body!’ Bernhard Gillam 1882
• Die Pfändung Ferdinand Georg Waldmüller 1847
• Amor stukken af bien Christoffer Wilhelm Eckersberg
• Beauties of the installment plan Friedrich Graetz 1883
• Les Drames de l’adultère Juan Gris 1911
• Clarissa steht vor einem Kirchenportal Daniel Nikolaus Chodowiecki ca. 1796