On Top: Desenhado para Lillian Broderick. Vestido branco com mangas de bispo e lenço azul
1934-1943
On Top: Desenhado para Lillian Broderick. Vestido branco com mangas de bispo e lenço azul by Emile Stoner, 1934-1943, Illustration
Related Artworks
- The Eternal Wanderer： Sonya Emile Stoner 1934-1943
- The Far Away Princess： Frau Lindemonn Emile Stoner 1934-1943
- Believe Me, Xantippe： Dolly Kamant Act 2 Emile Stoner 1934-1943
- Iolanthe： Lord Chancellor gold-embroidered black silk robe Emile Stoner 1934-1943
- Machine Age： Miss Wilson Emile Stoner 1934-1943
- Machine Age： Mrs. Carter ‘Hillbilly Opera’ Emile Stoner 1934-1943
- Iolanthe： Strephon flowered coat Emile Stoner 1934-1943
- Bluebeard： Fatima Emile Stoner 1934-1943
- Mississippi Rainbow： Voodoo Woman Emile Stoner 1934-1943
- Machine Age： Miss Martino Emile Stoner 1934-1943
- Believe Me, Xantippe： Dolly Act 3 Emile Stoner 1934-1943
- Believe Me, Xantippe： Unidentified Character (‘Bias Skirt’) Emile Stoner 1934-1943
- Bluebeard： Sir Simon Emile Stoner 1934-1943
- Pinocchio： Pinocchio. Purple shirt, white coat with red pattern and neck ruff Emile Stoner 1934-1943
- Hraun Farm： Brown dress, black apron, and white kerchief Emile Stoner 1934-1943
- Machine Age： Mrs. Lloyd ‘Widows & Orphans’ black dress Emile Stoner 1934-1943
- Silas the Chore Boy： Silas. Blue overalls, blue shirt, brown boots, and brown cap： Emile Stoner 1934-1943
- Lights O’ London： Eliza Jarvis yellow skirt with bustle, brown teal-lined coat Emile Stoner 1934-1943
- Silas the Chore Boy： Pert Ridley. Green dress, brown apron, and red cap Emile Stoner 1934-1943
- Mary Tudor： Lord, violet patterned doublet Emile Stoner 1934-1943
- The Far Away Princess： Rosa Emile Stoner 1934-1943
- Mary Tudor： Lord Emile Stoner 1934-1943
- Silas the Chore Boy： Nancy Ridley. Red plaid dress, white apron, and black shoes Emile Stoner 1934-1943
- Mary Tudor： Cream shirt, brown jerkin and brown hose Emile Stoner 1934-1943
- The Orrery Joseph Wright of Derby 1768
- El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
- I stood like one thunderstruck, or as if I had seen an apparition N. C. Wyeth 1920
- Hamlet and Laertes fight in the grave (Act V, scene I Eugène Delacroix 1864
- At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
- Shinagawa Katsushika Hokusai 1810
- Worse than slavery Thomas Nast 1874
- The Dead Man (Der tote Mann) Wilhelm Lehmbruck 1915
- Notes sur l’amour Pl 07 Pierre Bonnard 1922
- Shinshi-bari – Cloth-stretcher Kitagawa Utamaro 1793-1804
- The Girl He Left Behind Him Winslow Homer 1864
- Drohung Ferdinand Freiherr von Reznicek 1908
- Combing Their Hair Henri de Toulouse-Lautrec 1896
- Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 5b Katsushika Hokusai 1816
- Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec 1895
- The Girl at the Window Edvard Munch 1894
- Bottler’s Wagon Donald Humphrey c. 1937
- Retablo E. Boyd 1935-1942
- Reptiles VI Frederick McCoy 1885-1890
- Asalto de la tercera columna argentina a Curupaytí Cándido Lopez 1893
- Under the window; pictures & rhymes for children Pl.46 Kate Greenaway 1878
- A Scene in Tours Frederick G. Hall 1927
- Little French Market Frederick G. Hall 1926
- The Pied Piper of Hamelin Pl 14 Kate Greenaway 1910
- His revenge Charles Dana Gibson 1900-1905
- May Ball Jean Michel Moreau the Younger 1763
- The hunt ball Charles Dana Gibson 1893-1900
- Le tango de maman Colibri ; Henri Bataille, Mme de Bray, Melle Bady, Comte Hallez-Claparède Georges Goursat (Sem) 1913
- A celebration Charles Dana Gibson 1893-1900
- Mme Heeren, Isadora Duncan Georges Goursat (Sem) 1913
- Scène Du Bal Jean Béraud
- A Ball Dirck Hals 1643