杂耍表演：绿色连衣裙，灰色衬裙，粉色外套

Related Artworks

• The Far Away Princess： Frau Lindemonn Emile Stoner 1934-1943
• Believe Me, Xantippe： Dolly Kamant Act 2 Emile Stoner 1934-1943
• Iolanthe： Lord Chancellor gold-embroidered black silk robe Emile Stoner 1934-1943
• Machine Age： Miss Wilson Emile Stoner 1934-1943
• Machine Age： Mrs. Carter ‘Hillbilly Opera’ Emile Stoner 1934-1943
• Iolanthe： Strephon flowered coat Emile Stoner 1934-1943
• Bluebeard： Fatima Emile Stoner 1934-1943
• Mississippi Rainbow： Voodoo Woman Emile Stoner 1934-1943
• Believe Me, Xantippe： Dolly Act 3 Emile Stoner 1934-1943
• Believe Me, Xantippe： Unidentified Character (‘Bias Skirt’) Emile Stoner 1934-1943
• Bluebeard： Sir Simon Emile Stoner 1934-1943
• Pinocchio： Pinocchio. Purple shirt, white coat with red pattern and neck ruff Emile Stoner 1934-1943
• Hraun Farm： Brown dress, black apron, and white kerchief Emile Stoner 1934-1943
• Machine Age： Mrs. Lloyd ‘Widows & Orphans’ black dress Emile Stoner 1934-1943
• Silas the Chore Boy： Silas. Blue overalls, blue shirt, brown boots, and brown cap： Emile Stoner 1934-1943
• Lights O’ London： Eliza Jarvis yellow skirt with bustle, brown teal-lined coat Emile Stoner 1934-1943
• Silas the Chore Boy： Pert Ridley. Green dress, brown apron, and red cap Emile Stoner 1934-1943
• Mary Tudor： Lord, violet patterned doublet Emile Stoner 1934-1943
• The Far Away Princess： Rosa Emile Stoner 1934-1943
• Mary Tudor： Lord Emile Stoner 1934-1943
• Silas the Chore Boy： Nancy Ridley. Red plaid dress, white apron, and black shoes Emile Stoner 1934-1943
• Mary Tudor： Cream shirt, brown jerkin and brown hose Emile Stoner 1934-1943
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• Mary Tudor： Beggar green cloak Emile Stoner 1934-1943
• The Orrery Joseph Wright of Derby 1768
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
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• Milton, a poem in 2 books Pl.29 William Blake 19th century
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• Edna May Oliver as Juliet’s nurse Dan Sayre Groesbeck 1836
• Schauspieler mit hoher Kappe Rembrandt van Rijn ca. 1634 - 1635
• ‘It is ten o’clock. Thus we may see,’ quoth he, ‘how the world wags’ Act II, scene vii Edwin Austin Abbey 1887
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