Hij is dood, begrepen! Maar was hij nu op mijn land of niet!
1902
Hij is dood, begrepen! Maar was hij nu op mijn land of niet! by Félix Vallotton, 1902, Illustration, symbolism
Related Artworks
- La Porte Dauphine Félix Vallotton 1922
- Nu Assis Félix Vallotton
- The Red Room, Etretat Félix Vallotton 1899
- The Dordogne In Vitrac Félix Vallotton 1925
- A L’Abattoir Félix Vallotton 1903
- Le bain Félix Vallotton 1894
- The Anarchist Félix Vallotton 1892
- Landscape At Loguivy Félix Vallotton 1923
- Le coup de vent Félix Vallotton 1894
- The Woods Of Boulogne Félix Vallotton 1921
- Woman With Rose Félix Vallotton 1914
- L’averse Félix Vallotton 1894
- La Modiste Félix Vallotton 1894
- The Downpour (L’ondée) Félix Vallotton 1901
- Jean Richepin Félix Vallotton 1892
- Caesar, Socrate, Iesus, Neron Félix Vallotton 1892
- Crimes And Punishments; You’ll learn… Félix Vallotton 1901
- Alphonse Daudet Félix Vallotton 1892
- Le pont St Michel Félix Vallotton 1893
- The Tower Of Goubing Félix Vallotton 1919
- Péniches au Pont-Neuf Félix Vallotton 1893
- En promenade Félix Vallotton circa 1895
- Landscape in the Jura Mountains near Romanel Félix Vallotton 1900
- Vos cinquante francs seront bien mieux-la qua – la Caisse d’Epargne Félix Vallotton 1902
- Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
- Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
- Cours de dessin Pl.63 Charles Bargue 1867
- All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
- Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
- John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
- Bijutsukai Pl.29 Furuya Kōrin 1901
- Unique Specimens of Mineralogy Edward Francis Burney
- Marthe Brandès, actrice Georges Goursat (Sem) 1901
- El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
- De aanzegger Albert Hahn 1904 - 1953
- The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
- The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
- The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
- N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
- Village massacre George Wesley Bellows 1918
- Still life with basket and fruits Paul Gauguin 1884
- Ophélie Odilon Redon
- Mit verschränkten Händen sitzender Halbakt Gustav Klimt 1914-1915
- Interior. Strandgade 30 Vilhelm Hammershøi 1901
- The gust of wind Léon Spilliaert 1904
- Femme de Profil (Profile of a Woman) Odilon Redon 1900
- Old Garden Nikolai Triik 1917
- Standing Nude Gustav Klimt 1906-1907
- Fable XLII. The Jugglers John Wootton 1793
- When Puss saw the rats and mice she didn’t wait to be told Arthur Rackham 1927
- Gare les jambes, ceux en ont Edmé Jean Pigal 1852
- Their first quarrel Charles Dana Gibson 1899
- Attualità politiche Augusto Grossi 1878
- L’Epiphanie La Pompadour J’étais le gâteau du Roi Adolphe Léon Willette
- Making-up for a new rôle Louis Dalrymple 1896
- An ugly old woman in the dark Thomas Rowlandson
- The Consequence of not shifting the Leg Thomas Rowlandson 1799
- Get money money still and then let virtue follow if she will Thomas Rowlandson 1808
- ‘Quite English, you know’ Sir John Tenniel 1887
- Idle Peter Lothar Meggendorfer 1890
- Fable XXI. The Rat-catcher and Cats John Wootton 1793
- Dites donc cocher, seriez-vous assez bon pour le conduire Moloch (Alphonse Hector Colomb) 1871