受胎告知的圣母

between 1450 and 1455

弗拉·安杰利科是一位修士，他拒绝在不先祈祷的情况下作画，这一点在这幅圣母玛利亚宁静的面容上得到了体现。她身着标志性的粉色和蓝色长袍，背景是闪闪发光的金色，低头看着一本红色小书，神情羞涩而谦卑，而非震惊。这块画板可能是双联画的右半部分，旨在与传达消息的天使加百列的图像相对。这是早期文艺复兴时期从僵硬、令人畏惧的宗教偶像转向真正具有人性且亲切的人物的完美典范。

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