Eccolo lì
1796-1797
Eccolo lì by Francisco de Goya, 1796-1797, Illustration, romanticism
Related Artworks
- Autumn Francisco de Goya 1786
- The Sabbath of witches Francisco de Goya 1797-98
- A woman talking to a priest in a covered archway Francisco de Goya ca. 1812-20
- Portrait of the Poet Moratín Francisco de Goya 1824
- There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados]) Francisco de Goya ca. 1813-1820
- ‘God Save Us from Such a Bitter Fate’; a bandit threatening a woman and a child with a knife Francisco de Goya ca. 1812-20
- A man and a woman riding a mule Francisco de Goya ca. 1812-20
- Chiton. (Hush.) Francisco de Goya 1796-1797
- Portrait of General José Manuel Romero Francisco de Goya c. 1810
- Self-portrait Francisco de Goya ca. 1796
- Tu que no puedes. (Thou who canst not.) Francisco de Goya 1796-1797
- Lo que puede un Sastre! (What a tailor can do!) Francisco de Goya 1796-1797
- Narcisa Barañana de Goicoechea Francisco de Goya
- Portrait of Martín Zapater Francisco de Goya 1797
- Rabbit hunter with a Retriever Francisco de Goya ca. 1812-20
- The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General]) Francisco de Goya ca. 1813-1820
- Aquellos polbos. (Those specks of dust.) Francisco de Goya 1796-1797
- Where There’s a Will There’s a Way [A Way of Flying] (Donde Hay Ganas Hay Maña [Modo de Volar]) Francisco de Goya ca. 1813-1820
- Beggar with a staff in his right hand Francisco de Goya ca. 1812-20
- They are Dying Francisco de Goya 1825-1828
- Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850) Francisco de Goya 1804
- Sopla. (Blow.) Francisco de Goya 1796-1797
- Manuel Osorio Manrique de Zuñiga (1784–1792) Francisco de Goya 1787-88
- The Charge of the Mamelukes Francisco de Goya 1814
- In the Corner Carl Larsson
- Sniped George Wesley Bellows 1918
- On Stage III Edgar Degas 1876-77
- The sailor and banker, or The firm in danger Thomas Rowlandson 1799
- Couple à la campagne Fernand Louis Gottlob
- The Fourth of July, 1864 Thomas Nast 1864
- Der Marchese in Deutschland Ferdinand Freiherr von Reznicek 1908
- Bijutsukai Pl.74 Furuya Kōrin 1901
- Engravings after Guercino’s Libro dei Disegni Pl.19 Francesco Curti c. 1630
- Domestic shaving Thomas Rowlandson 1786
- The wonders of nature Charles Dana Gibson 1916
- L’harmonie des couleurs Pl.006 Édouard Guichard 1880
- Der reichste Furst Ferdinand Freiherr von Reznicek 1908
- Discussions dans la rue Fernand Louis Gottlob 1904
- The night after the battle; burying the dead John Cameron 1847
- Mother-in-Law José Guadalupe Posada
- Rocky Mountains, Lander’s Peak Albert Bierstadt 1863
- Rievaulx Abbey, Yorkshire Thomas Girtin ca. 1796
- Niel Gow, 1727 – 1807. Violinist and composer Sir Henry Raeburn 1787
- Approaching Storm- Beach near Newport Martin Johnson Heade 1861 - 1862
- Self-Portrait Joseph Mallord William Turner 1791-1793
- Baldwin I of Flanders Albert Frans Lieven De Vriendt 1889
- The Mountain of the Holy Cross, Colorado Thomas Moran 1875
- Study for Standing Shepherd Thomas Cole 1831 or 1832
- Gamblers in Monte Carlo Edvard Munch 1892
- Le pavot noir Odilon Redon
- Charlot arrête toi je t’en supplie, jai jambres brisées Hermann Paul
- Olives in a blue and white porcelain bowl, a roemer, wine glasses, an overturned silver tazza and a meat-pie Willem Claesz Heda
- Head within an Aureole Odilon Redon about 1894-1895
- The Dreams of Men Jacopo Tintoretto mid-16th century
- Blessed Soul Guido Reni between 1640 and 1642
- Meditating woman with a skull Andrea Andreani 1591