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Related Artworks

• Saint Isabel of Portugal Healing the Wounds of a Sick Woman Francisco de Goya 1799
• Que pico de Oro! (What a golden beak!) Francisco de Goya 1796-1797
• Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand…well, as I say…eh! Look out! otherwise…) Francisco de Goya 1796-1797
• A man stabbing another Francisco de Goya ca. 1812-20
• Masquerading asses being whipped by a man Francisco de Goya ca. 1812-20
• Condesa de Altamira and Her Daughter, María Agustina Francisco de Goya 1787-88
• ‘Generosity versus Greed’, a woman and three men conducting a transaction inside a shop Francisco de Goya 1796-1798
• Pobrecitas! (Poor little girls!) Francisco de Goya 1796-1797
• Portrait of Don Ramón Satué Francisco de Goya 1823
• Qual la descañonan! (How they pluck her!) Francisco de Goya 1796-1797
• Seated Giant Francisco de Goya 1818
• Tiburcio Pérez y Cuervo (1785–1841), the Architect Francisco de Goya 1820
• A man and a woman riding a mule Francisco de Goya ca. 1812-20
• The Threshing Floor Francisco de Goya 1786-1787
• The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General]) Francisco de Goya ca. 1813-1820
• Rejoice, Carnival, for Tomorrow Thou Wilt Be Ashes [Carnival Folly] (Alegrias Antruejo, que Mañana Seras Ceniza [Disparate de Carnabal]) Francisco de Goya ca. 1813-1820
• Ya es hora. (It is time.) Francisco de Goya 1796-1797
• Monks in an interior Francisco de Goya ca. 1812-20
• Boy on a Ram Francisco de Goya 1786
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Winter Scene Francisco de Goya c. 1786
• Lovers Sitting on a Rock Francisco de Goya 1796-97
• Mejor es holgar. (It is better to be lazy.) Francisco de Goya 1796-1797
• Denslow’s Mother Goose Pl 17 William Wallace Denslow 1901
• ‘The knight took the beautiful girl in his arms and bore her over the narrow space where the stream had divided her little island from the shore.’ Arthur Rackham
• Quarries Near Montmartre François-Nicolas Chifflart 1865
• Pl. 23 – The Chimney Sweeper William Blake 1789
• 20 compositions en couleurs dans le style oriental Pl.10 Emile-Allain Séguy 1920
• Dignité Fernand Louis Gottlob 1906
• Fustigatio William Hogarth 1725
• The wolf disguised as grandmother Arthur Rackham 1902
• Bijutsukai Pl.79 Furuya Kōrin 1901
• Many’s the beating he had from the broomstick or the ladle Arthur Rackham 1927
• The rough draught of the following figure Andrea Pozzo 1707
• Le jardin des supplices Pl.16 Auguste Rodin 1902
• When women vote Charles Dana Gibson 1916
• Bijutsukai Pl.195 Furuya Kōrin 1901
• The morning news. Henry William Bunbury 1772
• Noanoa Pl.03 Paul Gauguin
• Lion couché la tête entre ses pattes Antoine-Louis Barye 19th century
• Flatford Mill John Constable
• Blick auf Amalfi aus der Vorhalle des Doms Franz Ludwig Catel
• De rukwind Barend Cornelis Koekkoek 1845
• Maison de Paysan au Canton de Berne Franz Niklaus König
• The Mewstone, Devon Joseph Mallord William Turner
• The Bookworm Carl Spitzweg circa 1851
• Der Kopf des Kaufmanns aus Overbecks Verkauf Josefs für die Casa Bartholdy in Rom Eugen Eduard Schäffer 1817
• It’s no use kicking, he must obey his boss Charles Jay Taylor 1896
• Programm der Künstlergruppe ‘Brücke’ Ernst Ludwig Kirchner 1906
• La Chanson du Macchabée Henri-Gabriel Ibels 1895
• Masques à louer ou non André Gill 1868
• Punchinello gives counsel Giovanni Battista Tiepolo c. 1743-57
• Guilty Punchinello Giovanni Battista Tiepolo
• Coquelin, tribun André Gill 1879
• Kunststücke der Tiere (Für Florina) Paul Klee 1921