Amanti seduti su una roccia

Related Artworks

• Autumn Francisco de Goya 1786
• The Sabbath of witches Francisco de Goya 1797-98
• A woman talking to a priest in a covered archway Francisco de Goya ca. 1812-20
• Portrait of the Poet Moratín Francisco de Goya 1824
• There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados]) Francisco de Goya ca. 1813-1820
• ‘God Save Us from Such a Bitter Fate’; a bandit threatening a woman and a child with a knife Francisco de Goya ca. 1812-20
• A man and a woman riding a mule Francisco de Goya ca. 1812-20
• Chiton. (Hush.) Francisco de Goya 1796-1797
• Portrait of General José Manuel Romero Francisco de Goya c. 1810
• Self-portrait Francisco de Goya ca. 1796
• Tu que no puedes. (Thou who canst not.) Francisco de Goya 1796-1797
• Lo que puede un Sastre! (What a tailor can do!) Francisco de Goya 1796-1797
• Narcisa Barañana de Goicoechea Francisco de Goya
• Portrait of Martín Zapater Francisco de Goya 1797
• Rabbit hunter with a Retriever Francisco de Goya ca. 1812-20
• The Claws of a Cat and the Dress of a Devotee-Similar to Vice Is Often Clothed in Virtue’s Habit [General Folly] (Unas de Gato y Habito de Beato [Disparate General]) Francisco de Goya ca. 1813-1820
• Aquellos polbos. (Those specks of dust.) Francisco de Goya 1796-1797
• Where There’s a Will There’s a Way [A Way of Flying] (Donde Hay Ganas Hay Maña [Modo de Volar]) Francisco de Goya ca. 1813-1820
• Beggar with a staff in his right hand Francisco de Goya ca. 1812-20
• They are Dying Francisco de Goya 1825-1828
• Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850) Francisco de Goya 1804
• Sopla. (Blow.) Francisco de Goya 1796-1797
• Manuel Osorio Manrique de Zuñiga (1784–1792) Francisco de Goya 1787-88
• The Charge of the Mamelukes Francisco de Goya 1814
• Akt (Nude) Egon Schiele 1912
• The First Stage of Cruelty William Hogarth ca. 1750
• Washington Irving John Wesley Jarvis 1808
• Drawing of the Hatter running Sir John Tenniel 1866
• Christ, Carrying His Cross Appears to Saint Ignatius of Loyola Domenico Piola 1690s
• A Farmer Entrusting the Plow to His Son Jean-Baptiste Greuze
• Portrait of Augusta Gustáv Mallý
• szkice do plafonu ‘Jutrzenka’ w pałacu J. Neczajewa-Malcewa w Petersburgu, m.in. rozwiązania całości malowidła, grupy postaci z Tyche powożącej rydwanem, Jutrzenki z pochodni Henryk Siemiradzki 1883
• The Archangels Gabriel, Michael and Raphael Giuseppe Passeri 1654[-]1714
• Portrait of the artist’s wife – Cella Hans Thoma 1880 - 1900
• Westminster Abbey William Walcot
• Design for a Monument to the Memory of Michaelangelo Giovanni Battista Cipriani
• Entwurf für eine Kreuzigungsgruppe mit Johannes, Maria und Magdalena. Ignaz Günther
• Landscape near the Baths of Caracalla, Rome Frederic Edwin Church 1869
• Study for self-portrait in the Uffizi Gallery, Florence Guido Reni ca. 1630
• The Gaiety Stage Door James Abbott McNeill Whistler 1879
• Rocky Mountains, Lander’s Peak Albert Bierstadt 1863
• Rievaulx Abbey, Yorkshire Thomas Girtin ca. 1796
• Niel Gow, 1727 – 1807. Violinist and composer Sir Henry Raeburn 1787
• Approaching Storm- Beach near Newport Martin Johnson Heade 1861 - 1862
• Self-Portrait Joseph Mallord William Turner 1791-1793
• Baldwin I of Flanders Albert Frans Lieven De Vriendt 1889
• The Mountain of the Holy Cross, Colorado Thomas Moran 1875
• Study for Standing Shepherd Thomas Cole 1831 or 1832
• Couple in Zeeland Charles Mertens
• Country lovers Thomas Rowlandson 1798
• Young Couple in a Tavern Cornelis Pietersz. Bega
• Hardship Isidre Nonell 1904
• Die Verehrer Emil Rau
• Breugel 2 Albert Daenens
• The Surprised Lovers Pierre-Antoine Baudouin c. 1765
• Zaloty myśliwca Julian Falat 1890
• Rendevous Arthur von Ramberg 1870
• Pierrot and Ballerina Pierre Carrier-Belleuse 1900
• Lovers Albert Joseph Moore
• Portrait of a Lady Jean-Baptiste Isabey 1767-1855
• Alcander and Nerina Giovanni Battista Cipriani 1784
• Cupid and Psyche Guillaume Seignac