Se repulen. (Se arreglan.)

Related Artworks

• Self-portrait Francisco de Goya ca. 1796
• Autumn Francisco de Goya 1786
• There Is Something beneath the Sackcloth, i.e. You Can’t Judge a Man by His Clothes [The Men in Sacks] (So El Sayal, Hay Al [Los Enscacados]) Francisco de Goya ca. 1813-1820
• Where There’s a Will There’s a Way [A Way of Flying] (Donde Hay Ganas Hay Maña [Modo de Volar]) Francisco de Goya ca. 1813-1820
• Manuel Osorio Manrique de Zuñiga (1784–1792) Francisco de Goya 1787-88
• The Charge of the Mamelukes Francisco de Goya 1814
• Portrait of Félix Colón de Larriátegui Francisco de Goya 1794
• Winter Scene Francisco de Goya c. 1786
• Three acrobats Francisco de Goya ca. 1812-20
• Le Marchand De Marionnettes Francisco de Goya
• A young woman looking into a well Francisco de Goya 1796-97
• Madhouse Francisco de Goya after 1794
• No te escaparás. (You will not escape.) Francisco de Goya 1796-1797
• To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo]) Francisco de Goya ca. 1813-1820
• De que mal morira (Of what ill will he die) Francisco de Goya 1796-1797
• He Can No Longer at the Age of Ninety-Eight Francisco de Goya 1819-1823
• Heavier Than a Dead Donkey (Pesa Mas Que un Burro Muerto) Francisco de Goya ca. 1813-1820
• God Creates Them and They Join up Together (Dios los Cria y Ellos Se Juntan) Francisco de Goya ca. 1813-1820
• Hasta la muerte. (Until death.) Francisco de Goya 1796-1797
• Muchachos al avío. (Lads making ready.) Francisco de Goya 1796-1797
• Nadie nos ha visto. (No one has seen us.) Francisco de Goya 1796-1797
• Vicente Maria De Vera De Aragon, Duque De La Roca Francisco de Goya ca. 1795
• Portrait of the Poet Moratín Francisco de Goya 1824
• Girl on a swing, a man with his arms raised Francisco de Goya 1795-1797
• Breton Bathers (Baigneuses Bretonnes) Paul Gauguin 1889
• Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec 1895
• La belle indolente George Barbier 1923
• Kawasaki Katsushika Hokusai 1804
• Le Cri de Paris – Dimanche 18 Juillet 1897 Félix Vallotton 1897-1903
• The key-note of the campaign Thomas Nast 1872
• Mädchen mit zwei Kindern Ernst Ludwig Kirchner 1919
• Puss in boots. Arthur Rackham 1911
• Tavola 44 Francesco Cardinali 1828
• The Burgundian Standard Bearer Albrecht Dürer c. 1500
• Hunding discovers the likeness between Siegmund and Sieglinde Arthur Rackham 1910
• Marie Antoinette Edmond Morin 1861
• The works of Geoffrey Chaucer Pl.45 Sir Edward Coley Burne-Jones 1896
• Renaissance 7 Auguste Racinet 1880 - 1889
• Les principaux ornaments des tissus jusqu’au XIXme siècle Pl.14 Friedrich Fischbach 1902
• Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 1 Katsushika Hokusai 1814
• The Cross in the Mountains Caspar David Friedrich circa 1812
• The Lake of Zug Joseph Mallord William Turner 1843
• The Burning of the Houses of Lords and Commons, October 16, 1834 Joseph Mallord William Turner
• Gehende Ungarin mit einem Sack auf dem Rücken, in Rückenansicht Franz Pforr
• Nebuchadnezzar William Blake 1795
• Mares and Foals in an extensive landscape George Stubbs
• Seated lion, head of lioness Théodore Géricault 1812 - 1814
• Botanique Pl.21 Alexander von Humboldt 1809
• The Day After Edvard Munch 1991
• Bilderbuch für Hagestolze Pl.024 Karel Klíč 1870s
• Les prétendants de Francia, par Gill André Gill 1875
• And the fool, he called her his lady fair Charles Dana Gibson 1917
• Conclusion, Plate 9 from the series ‘The Return of Eurydice, Three Cantos’ Max Beckmann 1909
• Gesichter Pl.14 Max Beckmann 1914-1918
• Death and girl Egon Schiele 1915
• The Beauty and the Beast Johannes Josephus Aarts 1881-1934
• The Alchemist Cornelis Pietersz. Bega 1663