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Related Artworks

• Ya es hora. (It is time.) Francisco de Goya 1796-1797
• Monks in an interior Francisco de Goya ca. 1812-20
• Boy on a Ram Francisco de Goya 1786
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• Winter Scene Francisco de Goya c. 1786
• Lovers Sitting on a Rock Francisco de Goya 1796-97
• Mejor es holgar. (It is better to be lazy.) Francisco de Goya 1796-1797
• Tragala perro. (Swallow it, dog.) Francisco de Goya 1796-1797
• The Sabbath of witches Francisco de Goya 1797-98
• No te escaparás. (You will not escape.) Francisco de Goya 1796-1797
• A man stabbing another Francisco de Goya ca. 1812-20
• Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand…well, as I say…eh! Look out! otherwise…) Francisco de Goya 1796-1797
• He Can No Longer at the Age of Ninety-Eight Francisco de Goya 1819-1823
• It Is Amazing-And We Were Made by God [Furious Folly] (Hizonos Dios y Maravillamos Nos [Disparate Furioso]) Francisco de Goya ca. 1813-1820
• Nadie nos ha visto. (No one has seen us.) Francisco de Goya 1796-1797
• Ferdinand VII (1784–1833), When Prince of Asturias Francisco de Goya
• Ni mas ni menos. (Neither more nor less.) Francisco de Goya 1796-1797
• Pobrecitas! (Poor little girls!) Francisco de Goya 1796-1797
• Ysele quema la Casa. (And his house is on fire.) Francisco de Goya 1796-1797
• Bartolomé Sureda y Miserol Francisco de Goya c. 1803-1804
• Duendecitos. (Hobgoblins.) Francisco de Goya 1796-1797
• Portrait of the Marquesa de Santiago Francisco de Goya
• Portrait of General José Manuel Romero Francisco de Goya c. 1810
• The Rhine-Maidens teasing Alberich Arthur Rackham 1910
• Les petits alphabets du brodeur Pl.16 Édouard Guichard 1880
• Visions of the daughters of Albion Pl. 02 William Blake 1793
• La Sculpture Félix Vallotton 1901
• Reclining Woman Arthur Bowen Davies 1913
• An interesting group. Misfortune makes us acquainted with strange bedfellows John Doyle 1847
• Cours de dessin Pl.38 Charles Bargue 1867
• Sheepfold Charles Emile Jacque 1865
• Three Dancers of Sumiyoshi or Suminoye Kubo Shunman
• Les Contemplations (Le Crépuscule) Gustave Fraipont 1882-1883
• David Vann. A Cherokee Chief Charles Bird King 1845
• Jeune Femme Gustave Van de Woestijne 1924
• Frise de salamandres Pierre Roche
• The Picture-Poetry Book pl33 Lois Mailou Jones 1935
• A Widow – Une Veuve John Raphael Smith 1791
• Le Bailarin ( Don Mariano Camprubi ) Édouard Manet 1862
• Portrait of Mlle. Lange As Danae Anne Louis Girodet-Trioson 1799
• Illustrations of the book of Job Pl.01 William Blake 1826
• View of Hegau on Zellersee Hans Gude 1878
• Portrait of a young girl, traditionally identified as ‘Miss Marchbanks of Bushey’ George Chinnery
• Satan Approaching the Court of Chaos William Blake 1784
• A view of Santa Catalina, Seville, Spain David Roberts 1833
• Montjovet from below St Vincent, looking down the Val d’Aosta towards Berriaz Joseph Mallord William Turner 1836
• Aufziehendes Unwetter über einer Landschaft mit Wegkreuz Eduard Wilhelm Pose 1836
• Still Life with a Broken Glass Willem Claesz Heda 1642
• Dichterin (Mystischer Kopf) Alexej von Jawlensky 1917
• Grotesques by Aubrey Beardsley 2 Aubrey Vincent Beardsley 1910s
• N° 23 – D’affreux brouillards vivants qui devenaient des hommes Emile Bernard 1935
• The Appeal Titian between early to mid-16th century
• Peonies Édouard Manet 1864-65
• Rotterne og egernet Oluf Olufsen Bagge
• Still Life with Flowers Auguste Oleffe 1924
• Death and the Miser Hieronymus Bosch c. 1485-1490