Witches’ Flight

Related Artworks

• Self-Portrait Francisco de Goya
• A man with a raised whip breaking up a fight between two figures Francisco de Goya ca. 1812-20
• Aquellos polbos. (Those specks of dust.) Francisco de Goya 1796-1797
• Young Woman Wringing Her Hands over a Man’s Naked Body (verso) Francisco de Goya 1796-97
• Monks in an interior Francisco de Goya ca. 1812-20
• Two brothers killing their sister’s lover in her presence Francisco de Goya 1796-1798
• El si pronuncian y la mano alargan Al primero que llega. (They say yes and give their hand to the first comer.) Francisco de Goya 1796-1797
• A woman giving a mug to an old man Francisco de Goya ca. 1812-20
• Friar Pedro Shoots El Maragato as His Horse Runs Off Francisco de Goya c. 1806
• A man stabbing another Francisco de Goya ca. 1812-20
• Está Umd. …pues, Como digo…eh! Cuidado! si no! (You understand…well, as I say…eh! Look out! otherwise…) Francisco de Goya 1796-1797
• Quien lo creyera! (Who would have thought it!) Francisco de Goya 1796-1797
• After Vice Comes Fornication [Simpleton] (Tras el Vicio Viene el Fornicio [Bobalicón]) Francisco de Goya ca. 1813-1820
• The Water Carrier Francisco de Goya
• Unos á otros. (What one does to another.) Francisco de Goya 1796-1797
• Where There’s a Will There’s a Way (A way of Flying) Francisco de Goya circa 1815 - 1824
• To Go amongst the Branches, i.e. To Talk through One’s Hat [Ridiculous Folly] (Andarse por las Ramas [Disparate Ridiculo]) Francisco de Goya ca. 1813-1820
• Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun Francisco de Goya c. 1806
• Estan calientes. (They are hot.) Francisco de Goya 1796-1797
• El Tres de Mayo Francisco de Goya 1814
• ‘God Save Us from Such a Bitter Fate’; a bandit threatening a woman and a child with a knife Francisco de Goya ca. 1812-20
• The Marquesa de Pontejos Francisco de Goya c. 1786
• Asta su Abuelo. (And so was his grandfather.) Francisco de Goya 1796-1797
• Beggar with a staff in his left hand Francisco de Goya ca. 1812-20
• Judgment of Paris Lucas Cranach the Elder 1530
• Death and the Miser Hieronymus Bosch c. 1485-1490
• Tarquin and Lucretia Jacopo Tintoretto C. 1578
• Apollo and Phaëthon Giovanni Battista Tiepolo circa 1731
• La Parnasse Andrea Mantegna 1496-1497
• The Death Of Hyacinthus Giovanni Battista Tiepolo C.1752
• Lucretia Lucas Cranach the Elder 1530
• Caresses Fernand Khnopff 1896
• Frenzy Władysław Podkowiński 1893
• Amor als Honigdieb Lucas Cranach the Elder 1531
• Achilles discovered by Ulysses and Diomedes Peter Paul Rubens
• Neptune apaisant les flots Eugène Delacroix 1849 - 1852
• Rinaldo and The Magus of Ascalon Giovanni Battista Tiepolo 1742
• Paris Anthony van Dyck c. 1628
• Amor Vincit Omnia Caravaggio 1602-1603
• Psyche taken up into Olympus Peter Paul Rubens 1621
• The Course of Empire–The Savage State Thomas Cole ca. 1834
• Salisbury Cathedral from the Bishop’s Grounds John Constable ca. 1825
• Illustrations of the book of Job Pl.02 William Blake 1826
• Andrew Jackson Thomas Sully 1845
• Der Hagestolz Carl Spitzweg 1847 -1849
• James Hutton, 1726 – 1797. Geologist Sir Henry Raeburn
• Cotopaxi (1855) 2 Frederic Edwin Church
• Approach to Venice Joseph Mallord William Turner 1844
• Group of Witches Eugenio Lucas Velázquez from 1850 until 1860
• Beeld van de riviergod 2 Cornelis Pronk
• At the Zoo Max Beckmann 1917
• Le Silence Odilon Redon
• The Hands Edvard Munch 1895
• Sorrow (Kümmernis) Egon Schiele 1914
• Patientia (Allegory of Patience) Cornelis Saftleven 1660[-]1670
• Prudence Giovanni Battista Cipriani 1783
• Witches’ Flight Francisco de Goya 1798