De ornamentale kunsten van Japan pl.018

Related Artworks

• Polychromatic decoration as applied to buildings in the mediæval styles Pl.21 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.38 George Ashdown Audsley 1881
• The ornamental arts of Japan Pl.009 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.47 George Ashdown Audsley 1881
• Outlines of ornament in the leading styles Pl.40 George Ashdown Audsley 1881
• Polychromatic decoration as applied to buildings in the mediæval styles Pl.24 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.09 George Ashdown Audsley 1881
• The ornamental arts of Japan Pl.031 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.057 George Ashdown Audsley 1882
• Polychromatic decoration as applied to buildings in the mediæval styles Pl.10 George Ashdown Audsley 1882
• Polychromatic decoration as applied to buildings in the mediæval styles Pl.29 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.073 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.094 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.31 George Ashdown Audsley 1881
• The ornamental arts of Japan Pl.040 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.051 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.34 George Ashdown Audsley 1881
• Outlines of ornament in the leading styles Pl.52 George Ashdown Audsley 1881
• The ornamental arts of Japan Pl.024 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.096 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.098 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.100 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.28 George Ashdown Audsley 1881
• Outlines of ornament in the leading styles Pl.29 George Ashdown Audsley 1881
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• What to draw and how to draw it Pl.63 Edwin George Lutz 1913
• Blatt aus ‘Aus meinen Schlössern’ 5 Franz von Bayros ca 1923
• The Fight for the Water Hole Frederic Remington 1903
• The country of the quadlings William Wallace Denslow 1900
• The call for help Frederic Remington between 1906 and 1910
• City Square Francisco Fierro ca. 1850
• Corner Winter, Washington and Summer Streets, Boston Winslow Homer 1857
• Si amanece; nos Vamos. (When day breaks we will be off.) Francisco de Goya 1796-1797
• The Maternal Precaution Jean-François Millet 1860
• Miss dada menken André Gill 1867
• Portrait of Paris von Gütersloh (Bildnis Paris von Gütersloh) Egon Schiele 1918
• Unconditional surrender Grant Thomas Nast 1868
• Embarking from Brighthelmstone to Diepp Thomas Rowlandson 1787
• Bijutsukai Pl.27 Furuya Kōrin 1901
• Deux chats au repos Théophile Alexandre Steinlen 1914
• Gamochonia. – Trichterkraken Ernst Haeckel 1904
• Klinger Plakate Hollerbaum und Schmidt Julius Klinger 1911
• Landschaft mit Windmühle Eugen Jettel 1881
• Histoire charmante de l’adolescente sucre d’amour Pl.4 Francois-Louis Schmied 1927
• Vue de Belmont, près de Lausanne, n° 2 Théophile Alexandre Steinlen 1913
• Premier mai Théophile Alexandre Steinlen 1894
• Prismes-34 Emile-Allain Séguy 1931
• Cranes and Pines in Moonlight Kawanabe Kyōsai 1800s
• Tits on Cherry Branch Ohara Koson 1900 - 1910
• Vue d’Interlaken Franz Niklaus König
• Lion; A Newfoundland Dog Sir Edwin Henry Landseer 1824
• Lake Placid, New York Edward B. Gay 1872
• Bretonnes dans un champ ou La moisson Emile Bernard 1888
• Lotus Lilies Charles Courtney Curran 1888
• Rue Vaneau nº63 et 65, 7ème arrondissement Jules Gaildrau
• Hafeneinfahrt von Palma di Mallorca Ernst Schiess
• En vædder og nogle får Simon de Vlieger
• A View of Vevey with La Tour de Peilz in the Distance Francis Towne 1781
• Landscape Jan Wijnants 1670
• Landscape with a House Hidden Between Trees and Two Men Near a Small Bridge Franciscus Andreas Milatz late 18th[-]early 19th century
• L’Église de Labastide-du-Vert, un matin d’été Henri Martin circa 1898