일본의 장식 예술 도판 049

Related Artworks

• Polychromatic decoration as applied to buildings in the mediæval styles Pl.21 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.38 George Ashdown Audsley 1881
• The ornamental arts of Japan Pl.009 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.47 George Ashdown Audsley 1881
• Outlines of ornament in the leading styles Pl.40 George Ashdown Audsley 1881
• Polychromatic decoration as applied to buildings in the mediæval styles Pl.24 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.09 George Ashdown Audsley 1881
• The ornamental arts of Japan Pl.031 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.057 George Ashdown Audsley 1882
• Polychromatic decoration as applied to buildings in the mediæval styles Pl.10 George Ashdown Audsley 1882
• Polychromatic decoration as applied to buildings in the mediæval styles Pl.29 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.073 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.094 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.31 George Ashdown Audsley 1881
• The ornamental arts of Japan Pl.040 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.051 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.34 George Ashdown Audsley 1881
• Outlines of ornament in the leading styles Pl.52 George Ashdown Audsley 1881
• The ornamental arts of Japan Pl.024 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.096 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.098 George Ashdown Audsley 1882
• The ornamental arts of Japan Pl.100 George Ashdown Audsley 1882
• Outlines of ornament in the leading styles Pl.28 George Ashdown Audsley 1881
• Outlines of ornament in the leading styles Pl.29 George Ashdown Audsley 1881
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• What to draw and how to draw it Pl.63 Edwin George Lutz 1913
• Blatt aus ‘Aus meinen Schlössern’ 5 Franz von Bayros ca 1923
• The Fight for the Water Hole Frederic Remington 1903
• The country of the quadlings William Wallace Denslow 1900
• The call for help Frederic Remington between 1906 and 1910
• City Square Francisco Fierro ca. 1850
• Corner Winter, Washington and Summer Streets, Boston Winslow Homer 1857
• Si amanece; nos Vamos. (When day breaks we will be off.) Francisco de Goya 1796-1797
• The Maternal Precaution Jean-François Millet 1860
• Miss dada menken André Gill 1867
• Portrait of Paris von Gütersloh (Bildnis Paris von Gütersloh) Egon Schiele 1918
• Unconditional surrender Grant Thomas Nast 1868
• Embarking from Brighthelmstone to Diepp Thomas Rowlandson 1787
• Bijutsukai Pl.27 Furuya Kōrin 1901
• Deux chats au repos Théophile Alexandre Steinlen 1914
• Gamochonia. – Trichterkraken Ernst Haeckel 1904
• Klinger Plakate Hollerbaum und Schmidt Julius Klinger 1911
• Landschaft mit Windmühle Eugen Jettel 1881
• Histoire charmante de l’adolescente sucre d’amour Pl.4 Francois-Louis Schmied 1927
• Vue de Belmont, près de Lausanne, n° 2 Théophile Alexandre Steinlen 1913
• Premier mai Théophile Alexandre Steinlen 1894
• Prismes-34 Emile-Allain Séguy 1931
• Expectant; The Wife of a Fireman in the Kaei Period (1848-1853) Tsukioka Yoshitoshi 1888
• Jeune berbère Alphonse Birck
• Marie Fargues, the Painter’s Wife Jean-Etienne Liotard 1756 - 1758
• Keinen shūgajō Pl.04 Imao Keinen 1906
• 富春山居图（无用师卷）-題跋5-金士松 Huang Gongwang
• Maart 1905 (Voorkant van Hototogisu) Asai Chū 1905-03-10
• 白莲社图卷-题跋3 Li Gonglin
• Moyō bijutsu benran Pl.15 Hironobu Asai 1893