大碗岛的星期日

1884

乔治·修拉花费两年时间， meticulously 地将数百万个纯色小点应用于画布，创作出这幅热闹的巴黎公园场景，开创了被称为"点彩派"的技法。他不在调色板上混合颜料，而是让观者的眼睛从远处自行融合这些鲜艳的色调，从而产生一种闪烁的、近乎视觉错觉的效果。那些在塞纳河畔慵懒休憩、僵硬如雕像般的人物形象，与印象派画家自发的笔触形成了激进的反差，永远改变了现代艺术的进程。

Technique: Pointillism

Location: Art Institute of Chicago

Views: 14

Related Artworks

Seascape at Port-en-Bessin,Normandy Georges Seurat 1888
A Man Leaning on a Parapet Georges Seurat ca. 1881
The Mower Georges Seurat 1881-82
Two Stonebreakers Georges Seurat ca. 1881
En marche Georges Seurat circa 1882
L’écho (Echo), study for Une baignade, Asnières (Bathers at Asnières) Georges Seurat 1883-84
Study for ‘Poseuses’ Georges Seurat 1886-87
Bathers (Study for Bathers at Asnières ) Georges Seurat 1883-1884
Nude Study of an Old Man Georges Seurat 1878-1879
Seated Boy with Straw Hat, study for Bathers at Asnières Georges Seurat 1883-84
Café-concert Georges Seurat 1887-1888
A Woman Fishing Georges Seurat 1884
Breezing Up (A Fair Wind) Winslow Homer 1873-1876
女史箴图卷（宋白描摹本)-畫心5 Gu Kaizi
Portrait Of The Engravers Pieter De Jode The Elder And Pieter De Jode The Younger Anthony van Dyck between 1620 and 1640
Self-Portrait Sir Joshua Reynolds ca. 1750
Two women crossing a field Maurice Prendergast 1895-1897
La Lampe François Guiguet 1898-1899
The Huntington Avenue Streetcar Maurice Prendergast 1895-1897
Montagna Alta Emilio Longoni
Five o’clock tea Julius Leblanc Stewart 1883-1884
La pâtisserie Gloppe Jean Béraud 1889
Le Jour de Madame Charles Edouard Boutibonne 1875
The awkward footman Thomas Rowlandson ca. 1780-1825
Vitis Ulliade Blanche d’Ambre Ellen Isham Schutt 1911
Nude of a boy’s back Franz Pforr ca. 1810 [-] 1811
Monkey in kaki tree Ohara Koson 1900 - 1930
Fucoideae. – Brauntange Ernst Haeckel 1904