Anatomia do corpo humano Prancha 100
1685
Anatomia do corpo humano Prancha 100 by Gerard de Lairesse, 1685, Illustration, baroque
Related Artworks
- Combat of the centaurs and lapiths Gerard de Lairesse
- Mercury Orders Calypso to Allow Ulysses Depart Gerard de Lairesse c. 1670
- Bacchus and Ariadne Gerard de Lairesse C. 1676 - 1678
- The Kiss of Peace and Justice Gerard de Lairesse after 1654
- Ein junger Krieger ist im Begriff, ein Lager anzugreifen, Minerva verwehrt es ihm, sie ist umgeben von Wappen tragenden Nymphen und Amoretten Gerard de Lairesse
- Anatomia humani corporis Pl.019 Gerard de Lairesse 1685
- Justitia; Allegorische voorstelling van de verzorging van leprozen en onnozelen Gerard de Lairesse 1665 - 1685
- Anatomia humani corporis Pl.012 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.041 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.087 Gerard de Lairesse 1685
- Achilles recognized by Ulysses at the Court of Lycomedes Gerard de Lairesse
- Anatomia humani corporis Pl.031 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.044 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.070 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.020 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.091 Gerard de Lairesse 1685
- Hermes Ordering Calypso To Release Odysseus Gerard de Lairesse C. 1670
- Anatomia humani corporis Pl.066 Gerard de Lairesse 1685
- Apollo and Aurora Gerard de Lairesse 1671
- Anatomia humani corporis Pl.080 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.022 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.072 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.011 Gerard de Lairesse 1685
- Anatomia humani corporis Pl.028 Gerard de Lairesse 1685
- The Orrery Joseph Wright of Derby 1768
- El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
- I stood like one thunderstruck, or as if I had seen an apparition N. C. Wyeth 1920
- Hamlet and Laertes fight in the grave (Act V, scene I Eugène Delacroix 1864
- At the Moulin Rouge; La Goulue and Her Sister Henri de Toulouse-Lautrec 1892
- Shinagawa Katsushika Hokusai 1810
- Worse than slavery Thomas Nast 1874
- The Dead Man (Der tote Mann) Wilhelm Lehmbruck 1915
- Notes sur l’amour Pl 07 Pierre Bonnard 1922
- Shinshi-bari – Cloth-stretcher Kitagawa Utamaro 1793-1804
- The Girl He Left Behind Him Winslow Homer 1864
- Drohung Ferdinand Freiherr von Reznicek 1908
- Combing Their Hair Henri de Toulouse-Lautrec 1896
- Transmitting the Spirit and Revealing the Form of Things_ Hokusai's Sketchbooks, vol. 5b Katsushika Hokusai 1816
- Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec 1895
- The Girl at the Window Edvard Munch 1894
- Nachtwacht Rembrandt van Rijn 1 January 1642
- Pietà Annibale Carracci
- Belshazzar’s feast Rembrandt van Rijn from 1634 until 1639
- The Lute Player Caravaggio circa 1595
- Martyrdom Of Saint Andrew Jusepe de Ribera
- Return of the Prodigal Son Rembrandt van Rijn 1636
- Self-Portrait Peter Paul Rubens 1628-30
- Achilles Discovered By Ulysses Among The Daughters Of Lycomedes Peter Paul Rubens 1630-1635
- Study for a Ceiling with the Personification of Counsel Giovanni Battista Tiepolo c. 1762
- Head of Vengeance Pierre-Paul Prud'hon 1799-1809
- Flowers Julian Alden Weir 1880
- Sheet of Studies Paul Cézanne 1871-1876
- Minerva and Hercules Restraining Mars Peter Paul Rubens
- Hovering genius Pietro da Cortona
- Head study for ‘The Cave of the Storm Nymphs’ Edward John Poynter 1891
- Drawing of the Lobster primping before a mirror Sir John Tenniel 1866
- Woman with a Flower Paul Gauguin 1891
- Hitching Post Albert Ryder c. 1938
- Tête d’Italienne avec une couronne de laurier (Head of an Italian girl with a laurel wreath) William Bouguereau 1872
- Federation Day 1790, The Convention 1792 Henri Gervex 1889
- John the Baptist Robert Campin c. 1410
- Portrait of a Man Ferdinand Bol 1649