Cnide : Plan du port et carte des sites

Related Artworks

• View of Tivoli Giovanni Battista Borra ca. 1750
• View of the Valley of Sardis and View of a Ruined Bridge Giovanni Battista Borra ca. 1750
• Sepolcro di Absalon Giovanni Battista Borra ca. 1750
• View of Scutari (Ancient Chrysopolis, Now Called Uskudar) Giovanni Battista Borra ca. 1750
• A Doorway from Geramo Giovanni Battista Borra ca. 1750
• View of Ruins at Tivoli Giovanni Battista Borra ca. 1750
• Details of a Corinthian Order from a Temple at Ephesus, Probably that of Hadrian Giovanni Battista Borra ca. 1750
• Frieze and Capital of the Ionic Temple at Toreh Giovanni Battista Borra ca. 1750
• Topographical Map of Halicarnassus at its Harbor Giovanni Battista Borra ca. 1750
• Details of the Ionic Temple at Toreh Giovanni Battista Borra ca. 1750
• Monte delle Beatitudini Giovanni Battista Borra ca. 1750
• Plan of the Temple of Artemis at Ephesus Giovanni Battista Borra ca. 1750
• View of Sigacik (Ancient Teos) Giovanni Battista Borra ca. 1750
• View of the Modern City of Pergamon Giovanni Battista Borra ca. 1750
• View of the Valley of Hierapolis (now Pamukkale) Giovanni Battista Borra ca. 1750
• Details of a Composite Order from the Temple of Augustus at Mylasa Giovanni Battista Borra ca. 1750
• View of the Ruins of an Ionic Temple at Sardis, Probably the Temple of Neptune Giovanni Battista Borra ca. 1750
• Stromboli Giovanni Battista Borra 1750
• Plan of the Port of Sigacik (ancient Teos) Giovanni Battista Borra ca. 1750
• View of the Source of the Lycus River (Nahr el-Kelb) Giovanni Battista Borra ca. 1751
• Aquedotto Angolare Giovanni Battista Borra ca. 1750
• View and Plan of the Grotto of St. Jerome at Lydda (Lod) Giovanni Battista Borra ca. 1750
• Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna Giovanni Battista Borra ca. 1750
• Members of a Ionic Temple in Ruins at Priene (now Turunclar) Giovanni Battista Borra ca. 1750
• Danseuse assise Edgar Degas
• Les Bêcheurs Jean-François Millet circa 1855-1856
• Mit verschränkten Händen sitzender Halbakt Gustav Klimt 1914-1915
• Standing Nude Gustav Klimt 1906-1907
• Landscape with Man Sleeping beneath Tree Annibale Carracci 1595
• The reveille on the line of battle Edwin Forbes 1861-1876
• Head of a Young Woman John Singer Sargent
• Erna und Gerda im Atelier Ernst Ludwig Kirchner 1912
• A young man and an elderly woman Felix Octavius Carr Darley
• Two Soldiers, Seated, One on a Stone, the Other on the Ground Salvator Rosa 1656 - 1657
• Woman with a Churn Jean-François Millet 1854
• Verkrüppelter Baumstamm auf Felsen bei Ariccia Ernst Fries 1824
• The Sea Monster Albrecht Dürer c. 1501
• Portrait of a lady Gustav Klimt 1916
• Two Figures by a River John Constable between 1807 and 1809
• Country village Thomas Rowlandson ca. 1780-1825
• Venus Hurt by Diomedes Jean Auguste Dominique Ingres 1844
• Colonel Robert Abercrombie George Romney 1788
• Mrs. Thomas Phipps George Romney
• Spring Lawrence Alma-Tadema 1894
• Distant View of Easton Neston, Northants Edward Francis Burney
• Zittend mannelijk naakt, met geheven arm David Humbert de Superville
• Figure Studies (verso)@Drawings Giovanni Battista Cipriani
• Joseph Coolidge Gilbert Stuart 1820
• Ship in dry dock, probably Navy Yard James Fuller Queen 1840-1860
• Sketches of figural compositions – the scene inside a manor house and the scene with a diviner Józef Simmler 1840-1850
• Side Chair B. Holst-Grubbe c. 1937
• Bottle Francis Law Durand 1935-1942
• Figures walking among old ruins Edwin Austin Abbey 1898
• Macedonian, sloop of war Alfred Rudolph Waud 1860-1865
• Esquisse pour Oedipe (partie supérieure) Pierre-Auguste Renoir 1895
• Lovelace liegt im Hintergrund des Zimmers auf einem Himmelbett Daniel Nikolaus Chodowiecki ca. 1796
• On the Bighorn Frederic Remington circa 1892
• Portrait of Henry the Fowler Hubert Goltzius 1557-1559
• The Author José Guadalupe Posada
• Lexington – Major Pitcarin’s Pistols Ernest Peixotto 1897
• Full length portrait of officer Alfred Rudolph Waud 1860-1865
• Study for ‘Swiss Sentry at the Louvre’ Théodore Géricault c. 1819