Wie himmlisch schön
Wie himmlisch schön by Harry Clarke, art_nouveau
Related Artworks
- ‘Her Guardian Sylph Prolonged the Happy Rest’ Harry Clarke 1913
- Edgar Allan Poe’s Tales of Mystery and Imagination illustration Harry Clarke
- ‘Now Awful Beauty Puts on all its Arms’ Harry Clarke 1913
- ‘See Fierce Belinda on the Baron Flies’ Harry Clarke 1913
- Landscape by the Coast Harry Clarke 1910
- ‘But Trust the Muse, She Saw it Upward Rise’ Harry Clarke 1913
- The Little Sea Maid Harry Clarke 1916
- ‘Down to the Central Earth, his Proper Scene’ Harry Clarke 1913
- A Floral Textile Design, for Sefton Fabrics, Belfast Harry Clarke 1918-1919
- ‘He Takes the Gift with Reverence and Extends’ Harry Clarke 1913
- I’ll Fly From This Place, With One Bound, To Hell, Or Anywhere, To Leave ’em Harry Clarke
- A Butterfly Textile Design, for Sefton Fabrics, Belfast Harry Clarke 1918-1919
- The Sleeping Beauty, The Fairy Tales of Charles Perrault Harry Clarke 1922
- Beauty and the beast Pl. 05 Walter Crane 1896
- Ulf Carl Larsson
- Virgilius the Sorcerer Aubrey Vincent Beardsley c. 1893
- Ragusa (Dubrovnik) Carl Moll 1887
- Under the hill Pl.06 Aubrey Vincent Beardsley 1904
- When the Children have Gone to Bed Carl Larsson
- Femme de chagrin Théophile Alexandre Steinlen 1894
- La nuit Théophile Alexandre Steinlen 1917
- Le Printemps a Pleins Verres (Spring with full glasses) Théophile Alexandre Steinlen 1899
- Conjunctions Walter Crane 1868
- Cock Robin Jenny Wren Walter Crane 1876
- Gardens Of The Generalife, Granada Santiago Rusiñol
- The Vain Jackdaw Walter Crane 1908
- Launce; ‘…He is a stone, a very pebble stone and has no more pity in him than a dog’, act II, sc. 2 Walter Crane
- Woman at the Bus Stop Théophile Alexandre Steinlen
- Les grands chanteurs de rue Théophile Alexandre Steinlen 1902
- Letter-Writing Carl Larsson 1912
- Les internés – Entrée dans les geôles allemandes Théophile Alexandre Steinlen 1915
- Harper’s September Edward Penfield 1894
- Au bénéfice de la Crèche du 16e arr.t Théophile Alexandre Steinlen 1895
- Blanchisseuses reportant l’ouvrage 3 Théophile Alexandre Steinlen 1898
- La majorité opportuniste. Théophile Alexandre Steinlen 1894
- Harper’s September Edward Penfield 1895
- La Feuille, En vente partout, Par Zo d’Axa, Dessins de Steinlen Théophile Alexandre Steinlen 1897
- Lavender’s Blue Walter Crane 1876
- Floréal; dessins & coloris nouveaux Pl.04 Emile-Allain Séguy 1925
- Female Figure Santiago Rusiñol 1894
- Fanfreluches Théophile Alexandre Steinlen 1897
- L’été, chat sur une balustrade Théophile Alexandre Steinlen 1909
- Suggestions pour étoffes et tapis Pl.11 Emile-Allain Séguy 1923
- Prismes-5 Emile-Allain Séguy 1931
- Pandora opens the box Walter Crane 1893
- Nid de blessés Théophile Alexandre Steinlen 1917
- Exposición internacional de Madrid Théophile Alexandre Steinlen 1892
- Poster exhibit, Mechanics Fair, the 19th exhibition Elisha Brown Bird 1895
- A large roemer, a silver knife, a gold pocket watch with blue ribbon, a pewter plate with a peeled lemon, with other objects on a ledge Willem Claesz Heda 1629
- Justice Sir Joshua Reynolds 1782
- Lachrymae Frederic Leighton 1894-95
- Hygeia, Goddess of Health Peter Paul Rubens ca. 1615
- The Rich Man and Lazarus Sir John Everett Millais 1864
- Three Winged Female Figures Giovanni Battista Tiepolo 1696-1770
- Portrait of Lady Louisa Leveson Gower as Spes (Goddess of Hope) Angelica Kauffmann 1767
- Flora’s feast; A masque of flowers Pl.24 Walter Crane 1902
- The Feather Man Ray 1922
- King Arthur Arthur Rackham
- How Heavenly Fair Harry Clarke