Fox Hunting; Fores’s Hunting Casualties – Dispatched to Head Quarters

Related Artworks

• Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork Henry Thomas Alken
• A Groom Leading a Bay Horse Henry Thomas Alken
• ‘Some Do and Some Don’t; It is All a Notion;’ Getting a Dive Henry Thomas Alken between 1848 and 1851
• Horse and Dog Henry Thomas Alken
• ‘Qualified Horses and Unqualified Riders;’ ‘Faceing a Brook Verifying the Old Adage, Look Before You Leap’ Henry Thomas Alken
• ‘Landscape Scenery’, No. 7： Scenes of Cricket and a Waggoner With His Team Henry Thomas Alken 1821
• Facing a Brook Henry Thomas Alken
• Drawing Covert Henry Thomas Alken
• Wounded Turkish Cavalryman in Danger of Failling From His Horse… Henry Thomas Alken
• Going Along a Slapping Pace Henry Thomas Alken
• Scenes from a Seeplechase： The Winner Henry Thomas Alken ca. 1845
• ‘Scraps’, No. 28： Skittle Alley With Players and Spectators Henry Thomas Alken 1823
• Symptoms： of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome Henry Thomas Alken between 1818 and 1822
• Throwing off dull melancholy… Henry Thomas Alken 1822
• ‘Scraps’, No. 39： Mounted Hussars Henry Thomas Alken 1823
• ‘Sporting Discoveries, or the Miseries of Driving;’ …You Discover You Have Obtained a Steady One Henry Thomas Alken
• Yellowham Wood Henry Thomas Alken 1834
• The Life of a Sportsman; ‘A Night Scene with Sir Thomas Mostyn’ Henry Thomas Alken 1842
• A Cock-Fight Watched by Four Men in an Out-House Henry Thomas Alken 1821
• The chase Henry Thomas Alken 1820-1830
• Head and Shoulders of a Boxer Dog, Profile Right Henry Thomas Alken
• Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail Henry Thomas Alken
• Two Riders and a Couple of Hounds Clearing a Wall Henry Thomas Alken 1845
• Far removed from Noise & Smoke… Henry Thomas Alken 1822
• Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
• Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
• Cours de dessin Pl.63 Charles Bargue 1867
• All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
• Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
• John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
• Bijutsukai Pl.29 Furuya Kōrin 1901
• Unique Specimens of Mineralogy Edward Francis Burney
• Marthe Brandès, actrice Georges Goursat (Sem) 1901
• El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
• De aanzegger Albert Hahn 1904 - 1953
• The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
• The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
• The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
• N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
• Dernière Nouveauté Félix Vallotton 1893
• The Great Blue Spring of the Lower Geyser Basin, Yellowstone Thomas Moran ca. 1875
• On the way to Pompeii, with Vesuvius beyond Franz Richard Unterberger
• Los desastres de la guerra Francisco de Goya 1892
• Portrait of a Mulatto Frank Buchser 1866[-]1871
• Nez Perces John Mix Stanley 1854
• Picnic in the Woods, Montclair, New Jersey George Inness 1894
• Peasant kitchen in ruins (Italian kitchen) Hubert Robert 1760-1765
• Small child with spoon Fritz Bamberger
• Übernachtung im Planwagen August von Pettenkofen 1867
• The overturned coach Thomas Rowlandson ca. 1780-1825
• Animal Friendship Carl Reichert
• Groom and pony Joseph Crawhall
• The Bay Easton In His Stable John Ferneley 1810.
• Friends, a bay and a St Bernard in a stable Carl Reichert
• Deutsche Pferde aus Friesland und Holstein Johann Georg Pforr
• Old horses with a dog in a stable George Morland ca. 1791
• Gateway, Rotterdam Frederick G. Hall 1929
• Landscape with Spring Clouds Ferdinand Katona 1910[-]1930
• Pompiers courant à un incendie Gustave Courbet 1850-1851
• Zank Gottfried Mind 1815
• Dr. Koller Egon Schiele c. 1918
• He bounced up and down, and so fearful a frown contracted his brow, you’d have thought he’d been blind. Arthur Rackham 1911