獵狐；獵人傷亡——送往總部

Henry Thomas Alken

1850

獵狐；獵人傷亡——送往總部 by 亨利·托馬斯·阿爾肯, 1850, Illustration, romanticism

Related Artworks

Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork Henry Thomas Alken
A Groom Leading a Bay Horse Henry Thomas Alken
‘Some Do and Some Don’t; It is All a Notion;’ Getting a Dive Henry Thomas Alken between 1848 and 1851
Horse and Dog Henry Thomas Alken
‘Qualified Horses and Unqualified Riders;’ ‘Faceing a Brook Verifying the Old Adage, Look Before You Leap’ Henry Thomas Alken
‘Landscape Scenery’, No. 7： Scenes of Cricket and a Waggoner With His Team Henry Thomas Alken 1821
Facing a Brook Henry Thomas Alken
Drawing Covert Henry Thomas Alken
Wounded Turkish Cavalryman in Danger of Failling From His Horse… Henry Thomas Alken
Going Along a Slapping Pace Henry Thomas Alken
Scenes from a Seeplechase： The Winner Henry Thomas Alken ca. 1845
‘Scraps’, No. 28： Skittle Alley With Players and Spectators Henry Thomas Alken 1823
Symptoms： of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome Henry Thomas Alken between 1818 and 1822
Throwing off dull melancholy… Henry Thomas Alken 1822
‘Scraps’, No. 39： Mounted Hussars Henry Thomas Alken 1823
‘Sporting Discoveries, or the Miseries of Driving;’ …You Discover You Have Obtained a Steady One Henry Thomas Alken
Yellowham Wood Henry Thomas Alken 1834
The Life of a Sportsman; ‘A Night Scene with Sir Thomas Mostyn’ Henry Thomas Alken 1842
A Cock-Fight Watched by Four Men in an Out-House Henry Thomas Alken 1821
The chase Henry Thomas Alken 1820-1830
Head and Shoulders of a Boxer Dog, Profile Right Henry Thomas Alken
Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail Henry Thomas Alken
Two Riders and a Couple of Hounds Clearing a Wall Henry Thomas Alken 1845
Far removed from Noise & Smoke… Henry Thomas Alken 1822
Si sabrá mas el discipulo (Might not the pupil know more) Francisco de Goya 1796-1797
Kami-yui – Hairdresser Kitagawa Utamaro 1793-1804
Cours de dessin Pl.63 Charles Bargue 1867
All this while I sat upon the ground, very much terrified and dejected N. C. Wyeth 1920
Miseries of travelling; Being mounted on a beast . . . . Thomas Rowlandson 1807
John Bull (England) as Adam and a woman representing America as Eve in the Garden of Eden William Henry Walker 1903
Bijutsukai Pl.29 Furuya Kōrin 1901
Unique Specimens of Mineralogy Edward Francis Burney
Marthe Brandès, actrice Georges Goursat (Sem) 1901
El sueño de la razon produce monstruos. (The sleep of reason produces monsters.) Francisco de Goya 1796-1797
De aanzegger Albert Hahn 1904 - 1953
The method of drawing the net of lattice-work on vaults. Andrea Pozzo 1707
The plan and elevation of a corbel in perspective. Andrea Pozzo 1707
The Ingoldsby legends. The dead drummer Arthur Rackham 1906-1921
N° 3 – Tout à coup il se vit pousser d’horribles ailes Emile Bernard 1935
Dernière Nouveauté Félix Vallotton 1893
The Great Blue Spring of the Lower Geyser Basin, Yellowstone Thomas Moran ca. 1875
On the way to Pompeii, with Vesuvius beyond Franz Richard Unterberger
Los desastres de la guerra Francisco de Goya 1892
Portrait of a Mulatto Frank Buchser 1866[-]1871
Nez Perces John Mix Stanley 1854
Picnic in the Woods, Montclair, New Jersey George Inness 1894
Peasant kitchen in ruins (Italian kitchen) Hubert Robert 1760-1765
Small child with spoon Fritz Bamberger
Übernachtung im Planwagen August von Pettenkofen 1867
The overturned coach Thomas Rowlandson ca. 1780-1825
Animal Friendship Carl Reichert
Groom and pony Joseph Crawhall
The Bay Easton In His Stable John Ferneley 1810.
Friends, a bay and a St Bernard in a stable Carl Reichert
Deutsche Pferde aus Friesland und Holstein Johann Georg Pforr
Old horses with a dog in a stable George Morland ca. 1791
Gateway, Rotterdam Frederick G. Hall 1929
Landscape with Spring Clouds Ferdinand Katona 1910[-]1930
Pompiers courant à un incendie Gustave Courbet 1850-1851
Zank Gottfried Mind 1815
Dr. Koller Egon Schiele c. 1918
He bounced up and down, and so fearful a frown contracted his brow, you’d have thought he’d been blind. Arthur Rackham 1911