Omnibus

Related Artworks

• ‘Mr. Jorrocks’s Surprize on Seeing the Paris Diligence, ‘My Vig, Here’s Wombwell’s Wildbeast show’ ‘ Henry Thomas Alken
• Symptoms： of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week Henry Thomas Alken between 1818 and 1822
• Drawing for ‘Specimens of Riding near London：’ The Pleasure of Riding in Company. One Would Stop if the Other Could Henry Thomas Alken between 1809 and 1823
• Foxhunting; The Refreshment Henry Thomas Alken
• H. Grant on Horseback Henry Thomas Alken
• ‘Scraps’, no 17： Racing, Three Horses with Jockeys Up Galloping to Right Henry Thomas Alken
• Symptoms： of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse Henry Thomas Alken between 1818 and 1822
• The Meet; ‘With Bright Faces and Merry Hearts’ Henry Thomas Alken
• ‘Landscape Scenery’, No. 18： Scenes of Horse Drawn Artillery, etc. Henry Thomas Alken 1821
• Pointer looking at gamebird Henry Thomas Alken 1820 - 1830
• ‘Sporting Incidents：’ Drawing For the Soft-gound Etching of ‘Panther Hunting’ Henry Thomas Alken
• Steeplechasing; Two Riders Taking a Wooden Fence Henry Thomas Alken
• The Ice-Wagon Henry Thomas Alken
• Turbaned Cavalryman Standing Beside a Horse Henry Thomas Alken
• Wild Duck Shooting Henry Thomas Alken
• This sir, is my wife. Henry Thomas Alken 1826
• [Hunting Discoveries] … Discover that it would have been prudent … Henry Thomas Alken 1817
• A Meltonian as he us’d to be Henry Thomas Alken 1823
• Drawing the Cover Henry Thomas Alken 1835
• Going home, Meltonians as the are Henry Thomas Alken 1823
• [Hunting Discoveries] … at Length perceive a light which you Discover … Henry Thomas Alken 1817
• Mary, dear Mary list awake. And take the moon thy slumbers break… Henry Thomas Alken 1822
• The Justice Henry Thomas Alken 1824
• With mixture without measure… Henry Thomas Alken 1822
• Ôgiya uchi Yashio, Someki, Tsumaki – Yashio of the Ôgiya, Someki, Tsumaki Kitagawa Utamaro 1793-1804
• Sankatsu Hanshichi no bosetsu – The maternal love of Sankatsu and Hanshichi Kitagawa Utamaro 1793-1804
• Milton, a poem in 2 books Pl.26 William Blake 19th century
• Milton, a poem in 2 books Pl.10 William Blake 19th century
• Kami-yui – Dressing the hair Kitagawa Utamaro 1793-1804
• Lion Devouring a Horse Eugène Delacroix 1844
• The Four Stages of Cruelty; Cruelty in Perfection (The Murderer) William Hogarth 1751
• Hasta la muerte. (Until death.) Francisco de Goya 1796-1797
• Mishima Pass in Kōshū Province Katsushika Hokusai 1817
• Enoshima Island (Figure on an ox, waves) Utagawa Hiroshige 19th century
• The Calligraphy Lesson Kitagawa Utamaro circa 1803
• Miren que grabes! (Look how solemn they are!) Francisco de Goya 1796-1797
• Hamlet and Polonius (Act II, scene ii) Eugène Delacroix 1864
• The First Stage of Cruelty; First, Children Torturing Animals William Hogarth 1751
• Characters and Caricatures; subscription ticket for ‘Marriage à la Mode’ William Hogarth 1743
• Das Mädchen am Fenster Edvard Munch 1912
• Yosemite Valley Albert Bierstadt
• Cross in the Mountains Caspar David Friedrich circa 1805-1807
• Illustrations of the book of Job Pl.08 William Blake 1826
• The Wheat Field George Inness c. 1875-77
• The Raft of the Medusa Théodore Géricault 1818
• The White Horse John Constable 1818-1819
• Self-portrait Francisco de Goya ca. 1796
• The Colosseum Thomas Cole 1832
• Omnibus Henry Thomas Alken 1835
• Les deux fiacres (Boulevard des Batignolles) Pierre Bonnard 1901
• Marktszene Bukarest August von Pettenkofen
• The Paris Omnibus Maurice Prendergast
• Boulevard Henri-Edmond Cross
• La Place du Théâtre Français Camille Pissarro 1898
• Bäuerinnen am Brunnen auf der Stafelalp Ernst Ludwig Kirchner ca 1919
• Stadt R Paul Klee 1919
• Décor Slav Henry Lyman Saÿen ca. 1915
• La rue des Prouvaires et l’église Saint-Eustache Giuseppe Canella 1828
• Green and Red Motif John Marin 1924
• Sun-lit Path Henry Lyman Saÿen
• Große Komposition Adolf Hölzel circa 1926-1929
• Draft for ‘Composition VII’ Wassily Kandinsky 1913